Jane Choi

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Book cover for The Love of my Life
I’ve read endless cancer memoirs in the years following my diagnosis; some written from the warm shore of survival, others cut short by an end note from a bereaved relative. Some talk of healing and growth, others of grief and suffering, ...more
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Mhairi McFarlane
“The countdown to the funeral is awful. "Awful." What a limp word for this experience. Queues at the supermarket on Christmas Eve are awful. Banging your elbow on a hard surface is awful. My sliding scale for "awful" has completely changed and I need an enhanced vocabulary to deal with it. You don't realize the flippancy of your generation's attitudes and language until you grasp for the terminology that conveys the impact, and it's not there. It's been shopworn by silly jokes and ironic hyperbole.”
Mhairi McFarlane, Just Last Night

John  Green
“Here's the plain truth, at least as it has been shown to me: We are never far from wonders. I remember when my son was about two, we were walking in the woods one November morning. We were along a ridge, looking down at a forest in the valley below, where a cold haze seemed to hug the forest floor. I kept trying to get my oblivious two-year-old to appreciate the landscape. At one point, I picked him up and pointed out toward the horizon and said, "Look at that, Henry, just look at it!" And he said, "Weaf!" I said, "What?" And again he said, "Weaf," and then reached out and grabbed a single brown oak leaf from the little tree next to us.

I wanted to explain to him that you can see a brown oak leaf anywhere in the eastern United States in November, that nothing in the forest was less interesting. But after watching him look at it, I began to look as well, and I soon realized it wasn't just a brown leaf. Its veins spidered out red and orange and yellow in a pattern too complex for my brain to synthesize, and the more I looked at that leaf with Henry, the more I was compelled into an aesthetic contemplation I neither understood nor desired, face-to-face with something commensurate to my capacity for wonder.

Marveling at the perfection of that leaf, I was reminded that aesthetic beauty is as much about how and whether you look as what you see. From the quark to the supernova, the wonders do not cease. It is our attentiveness that is in short supply, our ability and willingness to do the work that awe requires.”
John Green, The Anthropocene Reviewed: Essays on a Human-Centered Planet

Abbi Waxman
“Do you know the best feeling in the world?"
"Uh..." Nina shook her head, despite having some ideas.
Liz glowed. "It's reading a book, loving every second of it, then turning to the front and discovering that the writer wrote fourteen zillion others.”
Abbi Waxman, The Bookish Life of Nina Hill

Abbi Waxman
“Three hours later, the book finished, her cheeks a little pink because it was so sad and lovely and sad again, Nina stood up and stretched. Coming out of a book was always painful. She was surprised to see things had remained in place while she herself had been roaming other towns, other times.”
Abbi Waxman, The Bookish Life of Nina Hill

Michelle Richmond
“But the past months have taught me that there is no starting over. As the narrator of Martin in Space says, "I can't unsee what I've seen, I can't unlearn what I know. Each place, each decision, each experience, has become a part of me, no more than my head, no less than my heart."

Life is a series of decisions, forks in the road, this or that, yes or no, left or right. We make our choices, we select our path. When I was young, the options seemed unlimited, so many paths to travel. But here's what I didn't understand: Every path is a one-way street. There is no turning back, no changing your mind, no trying both options. There is only forward motion. With time, your decisions pile up, compounding, interweaving, slowly turning you into the person you are.”
Michelle Richmond, The Wonder Test

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