Miguel Skeldon

“He’ll never know the bracing sensation of diving headfirst into the river, the roar of entry followed by enveloping silence. All water is connected, and her world is limitless. He stands at the limits”
― Abraham Verghese, The Covenant of Water

“Fiona grabbed Rick in her arms and sobbed, “Oh Rick, this song drives me crazy. I can’t stop myself when you’re around me. I’m losing control of myself. Rick, please tell them to stop, otherwise I don’t know what I will do.” Saying this, Fiona placed her lips on Rick’s lips. Now Rick was no longer in a position to speak so that he could ask the DJ to change the song. He only needed to signal the DJ to do that. But after tasting the moisture on Fiona’s lips, which was like dewdrops on rose petals, he realized that this endeavour would have required a lot of courage, which he most certainly lacked at the time.”
― Rebecca Harlem, The Pink Cadillac

“Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment. 
The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the park’s wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read ‘Kinship of the Serpent’. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death?  Worse, would they expect me to redon the life I’ve shed? Staring at that sign, I pissed in the street like the Mearan savage I’ve become.
As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsa’s lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge.  The woman wasn’t a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper. 
She refused, “I take naught for naught,” and began to remove trinkets from a cloth bag, displaying them for sale.
Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. “What do you desire, O Noble Born?”
I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.
 “Nay, Noble One. You must choose.” She lifted a strand of red beads. “These to adorn your lady’s bosom?”
            I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldn’t ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. “Be this worthy of desire, Noble Born?”
 I stood stunned a moment, then touched the crescent stamped into the leather and asked if she’d stolen the book. She denied it. I’ve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank.
“Take it,” she urged. “Record your deeds for study. Lo, the steps of your life mark the journey of your soul.”
  I told her I couldn’t afford the book, but she smiled as if poverty were a blessing and said, “The price be one copper. Tis a wee price for salvation, Noble One.”
  So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didn’t. I promised to record my deeds. But I can’t. The price is too high.”
― K. Ritz, Sheever's Journal, Diary of a Poison Master

“… the primitive comprehension that the state property represents a social one, their identification, and their equalization  could not resist the criticism of the time. The state property is not socialism. The state-monopoly property, as it was on the both sides of the Berlin Wall and which continues to be such one even after it dropped down, is not social property. There was never and nowhere any socialism! In the twentieth century, we passed through a system of utopian socialism as proof that this was not socialism that was not possible, but the utopia of the writers before Marx and after Marx. We were visited by a utopian socialism, which at the contemporary stage is simply capitalism—state, monopolistic.”
― Todor Bombov, Socialism Is Dead! Long Live Socialism!: The Marx Code-Socialism with a Human Face