Davi Fernandes

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Delia Owens
“She didn’t note the time of moonrise or when a great horned owl took a diurnal dive at a blue jay. From bed, she heard the marsh beyond in the lifting of blackbird wings, but didn’t go to it. She hurt from the crying songs of the gulls above the beach, calling to her. But for the first time in her life, did not go to them. She hoped the pain from ignoring them would displace the tear in her heart. It did not. Listless, she wondered what she had done to send everyone away. Her own ma. Her sisters. Her whole family. Jodie. And now Tate. Her most poignant memories were unknown dates of family members disappearing down the lane. The last of a white scarf trailing through the leaves. A pile of socks left on a floor mattress. Tate and life and love had been the same thing. Now there was no Tate. “Why, Tate, why?” She mumbled into the sheets, “You were supposed to be different. To stay. You said you loved me, but there is no such thing. There is no one on Earth you can count on.” From somewhere very deep, she made herself a promise never to trust or love anyone again. She’d always found the muscle and heart to pull herself from the mire, to take the next step, no matter how shaky. But where had all that grit brought her? She drifted in and out of thin sleep.”
Delia Owens, Where the Crawdads Sing

Elif Batuman
“Suddenly it occurred to me that maybe the point of writing wasn't just to record something past but also to prolong the present, like in One Thousand and One Nights, to stretch out the time until the next thing happened.”
Elif Batuman, The Idiot

Elif Batuman
“I'm twenty-six," she said, as if it were bad news she had received only recently. "It isn't the age I feel like."

"What age do you feel like?"

"Nineteen -- like you."

But, to me, nineteen still felt old and somehow alien to who I was. It occurred to me that it might take more than a year -- maybe as many as seven years -- to learn to feel nineteen.”
Elif Batuman, The Idiot

Delia Owens
“Time ensures children never know their parents young.”
Delia Owens, Where the Crawdads Sing

Alice Oseman
“And there's sort of a moment where everyone's sitting and thinking, you know? Like that feeling when you finish watching a film. You turn off the TV, the screen is black, but the pictures are replaying in your head and you think what if that's my life? What if that's going to happen to me? Why don't I get that happy ending? Why am I complaining about my problems?”
Alice Oseman, Solitaire

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