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“When someone’s been gone a long time, at first you save up all the things you want to tell them. You try to keep track of everything in your head. But it’s like trying to hold on to a fistful of sand: all the little bits slip out of your hands, and then you’re just clutching air and grit. That’s why you can’t save it all up like that. Because by the time you finally see each other, you’re catching up only on the big things, because it’s too much bother to tell about the little things. But the little things are what make up life... Is this how people lose touch? I didn’t think that could happen with sisters. Maybe with other people, but never us. Before Margot left, I knew what she was thinking without having to ask; I knew everything about her. Not anymore. I don’t know what the view looks like outside her window, or if she still wakes up early every morning to have a real breakfast or if maybe now that she’s at college she likes to go out late and sleep in late. I don’t know if she prefers Scottish boys to American boys now, or if her roommate snores. All I know is she likes her classes and she’s been to visit London once. So basically I know nothing. And so does she.”
― To All the Boys I've Loved Before
― To All the Boys I've Loved Before
“People know how it goes. It’s harder to tell the story of how I convinced myself I didn’t need what was necessary to survive. How I convinced myself it was my lack of needs that made me worthy of love.”
― The Crane Wife: A Memoir in Essays
― The Crane Wife: A Memoir in Essays
“I know that many men and even women are afraid and angry when women do speak, because in this barbaric society, when women speak truly they speak subversively - they can't help it: if you're underneath, if you're kept down, you break out, you subvert. We are volcanoes. When we women offer our experience as our truth, as human truth, all the maps change. There are new mountains.
That's what I want - to hear you erupting. You young Mount St. Helenses who don't know the power in you - I want to hear you.”
―
That's what I want - to hear you erupting. You young Mount St. Helenses who don't know the power in you - I want to hear you.”
―
“These days many poets live in cities, or at least in
suburbs, and the natural world grows ever more distant from our everyday lives. Most people, in fact, live in cities, and therefore most readers are not necessarily very familiar with the natural world. And yet the natural world has always been the great warehouse of symbolic imagery. Poetry is one of the ancient arts, and it began, as did all the fine arts, within the original wilderness of the earth.”
― A Poetry Handbook
suburbs, and the natural world grows ever more distant from our everyday lives. Most people, in fact, live in cities, and therefore most readers are not necessarily very familiar with the natural world. And yet the natural world has always been the great warehouse of symbolic imagery. Poetry is one of the ancient arts, and it began, as did all the fine arts, within the original wilderness of the earth.”
― A Poetry Handbook
“You would learn very little in this world if you were not allowed to imitate. And to repeat your imitations until some solid grounding in the skill was achieved and the slight but wonderful difference-that made you you and no one else-could assert itself. Every child is encouraged to imitate. But in the world of writing it is originality that is sought out, and praised, while imitation is the sin of sins. Too bad. I think if imitation were encouraged much would be learned well that is now learned partially and haphazardly. Before we can be poets, we must practice; imitation is a very good way of investigating the real thing.”
― A Poetry Handbook
― A Poetry Handbook
Catling’s 2025 Year in Books
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