Ari Brie

“Never call a stomach a tummy without good reason.”
― William Strunk/E.B. White, The Elements of Style

“You listen to me,” she says. Her jaw is set, ironclad. It’s the game face he’s seen her use to stare down Congress, to cow autocrats. Her grip on his hand is steady and strong. He wonders, half-hysterically, if this is how it felt to charge into war under Washington. “I am your mother. I was your mother before I was ever the president, and I’ll be your mother long after, to the day they put me in the ground and beyond this earth. You are my child. So, if you’re serious about this, I’ll back your play.”
Alex is silent.
But the debates, he thinks. But the general.
Her gaze is hard. He knows better than to say either of those things. She’ll handle it.
“So,” she says. “Do you feel forever about him?”
And there’s no room left to agonize over it, nothing left to do but say the thing he’s known all along.
“Yeah,” he says, “I do.”
Ellen Claremont exhales slowly, and she grins a small, secret grin, the crooked, unflattering one she never uses in public, the one he knows best from when he was a kid”
― Casey McQuiston, Red, White & Royal Blue

“He's not, he thinks, upset people know. He's always been pretty unapologetic when it came to things like who he dates and what he's into, although those were never anything like this. Still, the cocky shithead part of him is slightly pleased to finally have a claim on Henry. Yep, the prince? Most eligible bachelor in the world? British accent, face like a Greek god, legs for days? Mine.”
― Casey McQuiston, Red, White & Royal Blue

“Vigorous writing is concise. A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts. This requires not that the writer make all his sentences short, or that he avoid all detail and treat his subjects only in outline, but that every word tell.”
― William Strunk Jr., The Elements of Style