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Nathaniel Morgan
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“Every fact of science was once damned. Every invention was considered impossible. Every discovery was a nervous shock to some orthodoxy. Every artistic innovation was denounced as fraud and folly. The entire web of culture and ‘progress,’ everything on earth that is man-made and not given to us by nature, is the concrete manifestation of some man’s refusal to bow to Authority. We would own no more, know no more, and be no more than the first apelike hominids if it were not for the rebellious, the recalcitrant, and the intransigent. As Oscar Wilde truly said, ‘Disobedience was man’s Original Virtue.”
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“They walked on into the dark and they slept like dogs in the sand and had been sleeping so when something black flapped up out of the night ground and perched on Sproule's chest. Fine fingerbones stayed the leather wings with which it steadied as it walked upon him. A wrinkled pug face, small and vicious, bare lips crimped in a
horrible smile and teeth pale blue in the starlight. It leaned to him. It crafted in his neck two narrow grooves and folding its wings over him it began to drink his blood.
Not soft enough. He woke, put up a hand. He shrieked and the bloodbat flailed and sat back upon his chest and righted itself again and hissed and clicked its teeth.
The kid was up and had seized a rock but the bat sprang away and vanished in the dark. Sproule was clawing at his neck and he was gibbering hysterically and when he saw the kid standing there looking down at him he held out to him his bloodied hands
as if in accusation and then clapped them to his ears and cried out what it seemed he himself would not hear, a howl of such outrage as to stitch a caesura in the pulsebeat of the world. But the kid only spat into the darkness of the space between them. I
know your kind, he said. What's wrong with you is wrong all the way through you.”
― Blood Meridian, or, the Evening Redness in the West
horrible smile and teeth pale blue in the starlight. It leaned to him. It crafted in his neck two narrow grooves and folding its wings over him it began to drink his blood.
Not soft enough. He woke, put up a hand. He shrieked and the bloodbat flailed and sat back upon his chest and righted itself again and hissed and clicked its teeth.
The kid was up and had seized a rock but the bat sprang away and vanished in the dark. Sproule was clawing at his neck and he was gibbering hysterically and when he saw the kid standing there looking down at him he held out to him his bloodied hands
as if in accusation and then clapped them to his ears and cried out what it seemed he himself would not hear, a howl of such outrage as to stitch a caesura in the pulsebeat of the world. But the kid only spat into the darkness of the space between them. I
know your kind, he said. What's wrong with you is wrong all the way through you.”
― Blood Meridian, or, the Evening Redness in the West
“Nouns (...) are like linguistic iceboxes that freeze a flowing, liquid reality. In using nouns to designate and delimit all the aspects of the world, it is all too easy to confuse a symbol for the reality that it represents. This is the second great philosophical mistake, which the Fravashi refer to as the ‘little maya’. When speaking Moksha, it is difficult to make this mistake, for the function of nouns has largely been replaced by process verbs, as well as by the temporary and flexible juxtaposition of adjectives. For instance, the expression for star might be ‘bright–white–continuing’, while one might think of a supernova as ‘radiant–splendid–dying’. There is no rule specifying the choice or number of these adjectives; indeed, one can form incredibly long and precise (and beautiful) concepts by skilful agglutination, sticking adjectives one after another like beads on a string.”
― The Broken God
― The Broken God
“belief is the death of intelligence.”
― Cosmic Trigger: Die letzten Geheimnisse der Illuminaten oder An den Grenzen des erweiterten Bewusstseins
― Cosmic Trigger: Die letzten Geheimnisse der Illuminaten oder An den Grenzen des erweiterten Bewusstseins
Nathaniel’s 2025 Year in Books
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