Bella Ash

“Daddy’s Girl, passive, adaptable, respectful of and in awe of the male, allows him to impose his hideously dull chatter on her. This is not too difficult for her, as the tension and anxiety, the lack of cool, the insecurity and self-doubt, the unsureness of her own feelings and sensations that Daddy instilled in her make her perceptions superficial and render her unable to see that the male’s babble is a babble; like the aesthete “appreciating” the blob that’s labelled “Great Art”, she believes she’s grooving on what bores the shit out of her. Not only does she permit his babble to dominate, she adapts her own “conversation” accordingly.”
― Valerie Solanas, SCUM Manifesto

“... those females least embedded in male “culture,” the least nice, those crass and simple souls who reduce fucking to fucking, who are too childish for the grown-up world of suburbs, mortgages, mops and baby shit, too selfish to raise kids and husbands, too uncivilized to give a shit for anyone’s opinion of them, too arrogant to respect Daddy, […] in short, those who, by the standards of our “culture” are SCUM … these females are cool and relatively cerebral and skirting asexuality.”
― Valerie Solanas, SCUM Manifesto

“Because you were right when you said that people can’t always give us what we want from them; that you can’t ask them to love you the way you want. No one can be blamed for that.”
― Tomasz Jedrowski, Swimming in the Dark

“I don't know, it's like I look at you and suddenly the sonnets makes sense. The good ones, anyway.”
― M.L. Rio, If We Were Villains