Elliot James

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The Poetics of Space
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Gaston Bachelard
“Now my aim is clear: I must show that the house is one of the greatest powers of integration for the thoughts, memories and dreams of mankind. The binding principle in this integration is the daydream. Past, present and future give the house different dynamisms, which often interfere, at times opposing, at others, stimulating one another. In the life of a man, the house thrusts aside contingencies, its councils of continuity are unceasing. Without it, man would be a dispersed being. It maintains him through the storms of the heavens and through those of life. It is body and soul. It is the human being's first world. Before he is "cast into the world," as claimed by certain hasty meta-physics, man is laid in the cradle of the house. And always, in our daydreams, the house is a large cradle. A concrete metaphysics cannot neglect this fact, this simple fact, all the more, since this fact is a value, an important value, to which we return in our daydreaming. Being is already a value. Life begins well, it begins enclosed, protected, all warm in the bosom of the house.”
Gaston Bachelard, The Poetics of Space

Gaston Bachelard
“Daydream transports the dreamer outside the immediate world to a world that bears the mark of infinity.”
Gaston Bachelard, The Poetics of Space

Gaston Bachelard
“Would a bird build its nest if it did not have its instinct for confidence in the world?”
Gaston Bachelard, The Poetics of Space

Gaston Bachelard
“And when a philosopher looks to poets, to a great poet like Milosz, for lessons in how to individualize the world, he soon becomes convinced that the world is not so much a noun as an adjective.”
Gaston Bachelard, The Poetics of Space

Gaston Bachelard
“In Leonardo da Vinci's Notebooks, we read: "An oyster opens wide at full moon. When the crab sees this, it throws a pebble or a twig at the oyster to keep it from closing and thus have it to feed upon." Da Vinci adds the following suitable moral to this fable: "Like the mouth that, in telling its secret, places itself at the mercy of an indiscreet listener.”
Gaston Bachelard, The Poetics of Space

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