Nasooha

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Intermezzo
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by Sally Rooney (Goodreads Author)
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Feb 12, 2026 08:51PM

 
The Covenant of W...
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by Abraham Verghese (Goodreads Author)
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The Hundred Years...
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Susan Abulhawa
“It has been conquered, razed, and rebuilt so many times that its stones seem to possess life, bestowed by the audit trail of prayer and blood.”
Susan Abulhawa, Mornings in Jenin

Ghada Karmi
“Just as the ripples of a stone thrown into a pond will spread further and further away from the source, so the ripples of the disaster in 1948 hit my parents first and then spread to us and to our children long afterwards. Seeing only the ripples, it was easy to confuse the original cause with its effects.”
Ghada Karmi, Return: A Palestinian Memoir

Susan Abulhawa
“How was it that a man could not walk onto his own property, visit the grave of his wife, eat the fruits of forty generations of his ancestors’ toil, without mortal consequence? Somehow that raw question had not previously penetrated the consciousness of the refugees who had become confused in the rank eternity of waiting, pining at abstract international resolutions, resistance, and struggle.”
Susan Abulhawa, Mornings in Jenin

Susan Abulhawa
“She bore an uncanny resemblance to my mother, but the same beauty bloomed differently in each of them. My mother's fairness was exquisite and untouchable, roaming alone in an abandoned castle. Khalto Bahiya's beauty took you in immediately. Hers was easy and disclosed hordes of laughter stolen from wherever it could be found. Gravity, sun, and time had scrawled on their faces the travails of hard work, childbirth, and destitution. But even these lines disagreed on their faces. Khalto Bahiya's face incorporated them into her joy and her pain, so that lines appeared and hid according to her expressions and provided frames and curves to her tenderness. Gentle folds nestled her lips and made her face open when she smiled - like an orchid. On Mama, the lines had always seemed incongruous - as if her beauty could accept no change or outside interference. The wrinkles on Mama's face had carved her skin like prison bars, behind which one could discern the perpetual plaint of something grand and sad, still alive and wanting to get out.”
Susan Abulhawa, Mornings in Jenin

Susan Abulhawa
“No one spoke much, as if to speak was to affirm reality. To remain silent was to accommodate the possibility that it all was merely a nightmare.”
Susan Abulhawa, Mornings in Jenin

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