Sarah

“And then,” Steris said softly, “perhaps I came along because of the way it feels.…”
Marasi looked sharply back at her sister.
“Like the whole world has been upended,” Steris said, looking toward the ceiling. “Like the laws of nature and man no longer hold sway. They’re suddenly flexible, like a string given slack. We’re the spheres.… I love the idea that I can break out of it all—the expectations, the way I’m regarded, the way I regard myself—and soar.
“I saw it in his eyes, first. That hunger, that fire. And then I found it in myself. He’s a flame, Waxillium is, and fire can be shared. When I’m out here, when I’m with him, I burn, Marasi. It’s wonderful.”
Marasi’s jaw dropped, and she gawked at her sister. Had those words left Steris’s mouth? Careful, monotonous, boring Steris? She glanced toward Marasi and blushed.
“You actually love him, don’t you?” Marasi asked.
“Well, love is a strong emotion, one that requires careful deliberation to—”
“Steris.”
“Yes.” She looked down at her notebook. “It’s foolish, isn’t it?”
“Of course it is,” Marasi said. “Love is always a foolish emotion. That’s what makes it work.”
― Brandon Sanderson, The Bands of Mourning