Cam

“Hey Meg! Communication implies sound. Communion doesn't.' He sent her a brief image of walking silently through the woods, the two of them alone together., their feet almost noiseless on the rusty carpet of pine needles. They walked without speaking, without touching, and yet they were as close as it is possible for two human beings to be. They climbed up through the woods, coming out into the brilliant sunlight at the top of the hill. A few sumac trees showed their rusty candles. Mountain laurel, shiny, so dark a green the leaves seemed black in the fierceness of sunlight, pressed toward the woods. Meg and Calvin had stretched out in the thick, late-summer grass, lying on their backs, gazing up into the shimmering blue of sky, a vault interrupted only by a few small clouds.

And she had been as happy, she remembered, as it is possible to be, and as close to Calvin as she had ever been to anybody in her life, even Charles Wallace, so close that their separate bodies, daisies and buttercups joining rather than dividing them, seemed a single enjoyment of summer and sun and each other.

That was surely the purest kind of thing.

Mr. Jenkins had never had that kind of communion with another human being, a communion so rich and full that silence speaks more powerfully than words.”
― Madeleine L'Engle, A Wind in the Door

“I think your mythology would call them fallen angels. War and hate are their business, and one of their chief weapons is un-Naming - making people not know who they are. If someone knows who he is, really knows, then he doesn't need to hate. That's why we still need Namers, because there are places throughout the universe like your planet Earth. When everyone is really and truly Named, then the Echthroi will be vanquished.”
― Madeleine L'Engle, A Wind in the Door

“you and I have good enough minds to know how very limited and finite they really are. The naked intellect is an extraordinarily inaccurate instrument.”
― Madeleine L'Engle, A Wind in the Door

“The images were gone, but Calvin was there, was with her, was part of her. She had moved beyond knowing him in sensory images to that place which is beyond images. Now she was kything Calvin, not red hair, or freckles, or eager blue eyes, or the glowing smile; nor was she hearing the deep voice with the occasional treble cracking; not any of this, but -

Calvin.

She was with Calvin, kything with every atom of her being, returning to him all the fortitude and endurance and hope which he had given her.”
― Madeleine L'Engle, A Wind in the Door