Lali Garsia

“Don’t you think I understand? The hopeless dream of being. Not seeming, but being. Conscious at every moment. Vigilant. At the same time, the chasm between what you are to others and to yourself. The feeling of vertigo and the constant desire to at last be exposed — to be seen through, cut down, perhaps even annihilated. Every tone of voice is a lie, every gesture a falsehood, every smile a grimace. Commit suicide? Oh, no. That’s ugly. You don’t do that. But you can be immobile. You can fall silent. Then, at least, you don’t lie. You can close yourself in, shut yourself off. Then you don’t have to play roles, show any faces, or make false gestures. You think…but you see, reality is bloody-minded. Your hideout isn’t watertight. Life seeps in everything. You’re forced to react. No one asks if it’s real or unreal, if you’re true or false. It’s only in the theater the question carries weight — hardly even, there. I understand you, Elisabet. I understand your keeping silent, your immobility. That you’ve placed this lack of will into a fantastic system... I understand and I admire you. I think you should maintain this role until it’s played out, until it’s not longer interesting. Then you can leave it, just as you bit-by-bit leave all your roles.”
― Ingmar Bergman, Persona

“_ რა არის სიცოცხლე?
_ სიცოცხლე სევდა არის, ადამიანად ყოფნის ტკბილი სევდა.
_ სიკვდილი?
_ სიკვდილიც სევდა არის, ადამიანად არყოფნის სევდა.”
― Goderdzi Chokheli

“You can go home again, the General Temporal Theory asserts, so long as you understand that home is a place where you have never been.”
― Ursula K. Le Guin, The Dispossessed: An Ambiguous Utopia

“my heart is a lonely hunter that hunts on a lonely hill.”
― Fiona MacLeod