Eyal

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The Complete Stor...
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David Foster Wallace
“Mario'd fallen in love with the first Madam Psychosis programs because he felt like he was listening to someone sad read out loud from yellow letters she'd taken out of a shoebox on a rainy P.M, stuff about heartbreak and people you loved dying and U.S. woe, stuff that was real. It is increasingly hard to find valid art that is about stuff that is real in this way. The older Mario gets, the more confused he gets about the fact that everyone at E.T.A. over the age of about Kent Blott finds stuff that's really real uncomfortable and they get embarrassed. It's like there's some rule that real stuff can only get mentioned if everybody rolls their eyes or laughs in a way that isn't happy.”
David Foster Wallace, Infinite Jest

David Foster Wallace
“That sometimes human beings have to just sit in one place and, like, hurt. That you will become way less concerned with what other people think of you when you realize how seldom they do. That there is such a thing as raw, unalloyed, agendaless kindness. That it is possible to fall asleep during an anxiety attack. That concentrating on anything is very hard work.”
David Foster Wallace, Infinite Jest

J.D. Salinger
“You take a really sleepy man, Esmé, and he always stands a chance of again becoming a man with all his fac—with all his f-a-c-u-l-t-i-e-s intact.”
J.D. Salinger, Nine Stories

Charles Darwin
“Thus, from the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been originally breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
Charles Darwin, The Origin of Species

Albert Camus
“In the middle of the night, through the whole of the rest of the summer and beneath the autumn, one could see strange convoys of trams without passengers proceeding down the front, rattling along above the sea. Eventually, the people discovered what was going on; and despite patrols preventing anyone from reaching the promenade, some groups did quite often manage to get among the rocks right above the sea and throw flowers into the carriages as soon as the trams went past. One could hear the vehicles still bumping along on a summer's night, laden with flowers and corpses.”
Albert Camus

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