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Iced in Paradise
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Anne Fadiman
“My life seems too fast now, so obstructions bother me less than they once did. I am no longer in a hurry to see what is around the next bend. I find myself wanting to backferry, to hover midstream, suspended. If I could do that, I might avoid many things: harsh words, foolish decisions, moments of inattention, regrets that wash over me, like water. (196)”
Anne Fadiman, At Large and At Small: Familiar Essays

Bill Buford
“Then he exploded. "No!" he said. That familiar injunction. I'd heard it so many times. "No. I cannot take this steel. It would not be correct." He opened his knife drawer. "It goes here," he said, "until you return."

(That's how you leave: by never saying good-bye.)

And I learned that: to return. I came back the following year and the year after that. I hope to return every year (after all, I may never have the chance to learn so much), until I have no one to return to. (301)”
Bill Buford, Heat

Tessa Hadley
“But she wasn't in love, though she had been ready to be. Love sank down gently from where it had been swollen in expectation -- she imagined a red balloon deflating to a foolish remnant. (In the cave, 171)”
Tessa Hadley, Married Love and Other Stories

Bill Buford
“I didn't want to be a chef: just a cook. And my experiences in Italy had taught me why. For millennia, people have known how to make their food. They have understood animals and what to do with them, have cooked with the seasons and had a farmer's knowledge of the way the planet works. They have preserved the conditions of preparing food, handed down through generations, and have come to know them as expressions of their families. People don't have this kind of knowledge today, even though it seems as fundamental as the earth, and, it's true, those who have it tend to be professionals -- like chefs. But I didn't want this knowledge in order to be a professional; just to be more human. (313)”
Bill Buford, Heat

Tessa Hadley
“She imagined the reading she did now as like climbing inside one of those deep old beds she'd seen in a museum, with a sliding door to close behind you: even as she was suffering with a book and could hardly bear it, felt as if her heart would crack with emotion or with outrage at injustice, the act of reading it enclosed and saved her. Sometimes when she moved back out of the book and into her own life, just for a moment she could see her circumstances with a new interest and clarity, as if they were happening to someone else.”
Tessa Hadley, Married Love and Other Stories

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