Heather

“But now everything was lost: all the scattered effect of a real person, complicated beyond counting. (Post production, 197)”
― Tessa Hadley, Married Love and Other Stories

“She imagined the reading she did now as like climbing inside one of those deep old beds she'd seen in a museum, with a sliding door to close behind you: even as she was suffering with a book and could hardly bear it, felt as if her heart would crack with emotion or with outrage at injustice, the act of reading it enclosed and saved her. Sometimes when she moved back out of the book and into her own life, just for a moment she could see her circumstances with a new interest and clarity, as if they were happening to someone else.”
― Tessa Hadley, Married Love and Other Stories

“Ally wasn't disappointed in the writers: she hadn't expected anything from them in the first place; it hadn't occurred to her to be interested in writers as individuals beyond their work. To her relief no one whose books she'd read ever came to the centre, although sometimes she had to pretend to have read the writers who did. The writers could be fairly crazy, too; you had to be vigilant not to trip over their vanity or anxiety. Luckily, most of her favourites were dead. (She's the one, 151)”
― Tessa Hadley, Married Love and Other Stories

“But she wasn't in love, though she had been ready to be. Love sank down gently from where it had been swollen in expectation -- she imagined a red balloon deflating to a foolish remnant. (In the cave, 171)”
― Tessa Hadley, Married Love and Other Stories