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The Bee Sting
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Jul 29, 2026 11:16AM

 
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Elif Shafak
“Because in real life, unlike in history books, stories come to us not in their entirety but in bits and pieces, broken segments and partial echoes, a full sentence here, a fragment there, a clue hidden in between. in life, unlike in books, we have to weave our stories out of threads as fine as the gossamer veins that run through a butterfly's wings.”
Elif Shafak, The Island of Missing Trees

Sylvia Plath
“I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”
Sylvia Plath, The Bell Jar

Ottessa Moshfegh
“Oh, sleep. Nothing else could ever bring me such pleasure, such freedom, the power to feel and move and think and imagine, safe from the miseries of my waking consciousness.”
Ottessa Moshfegh, My Year of Rest and Relaxation

Ottessa Moshfegh
“Rejection, I have found, can be the only antidote to delusion”
Ottessa Moshfegh, My Year of Rest and Relaxation

Nikki Dekker
“Ik blijf maar op zoek naar metaforen, symbolen en beelden die de richting geven aan wat er allemaal gebeurt. Een structuur om een kloppend verhaal te maken van wat me is overkomen, zodat ik daarin kan leven - niet in die warrige werkelijkheid, maar in een roman, waar iemand de controle heeft. Dat ik achterover kan leunen, wachten op de volgende scène.”
Nikki Dekker, Diepdiepblauw

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