Jodi Cassinelli

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K.  Ritz
“If one does not react to gossip, the informer hushes more quickly.”
K. Ritz, Sheever's Journal, Diary of a Poison Master

Elizabeth Tebby Germaine
“…. ‘George said he needed a break. And there was something about Jonathan taking over …’   ‘That’s exactly what I mean,’ said Maxwell, ‘It seems like there’s all kinds of goings on there now.’ ‘What did the agents say then?’ ‘Your brother … he must still have a key. I told them to check, I told them. I expect they overlooked it. Hugo’s been going in and there are some women there apparently, I mean at the Manor House, Jonathan’s up to his usual tricks taking in every Tom, Dick and Harry and giving all kinds of undesirables a home, and there’s something about them chasing Hugo and taunting him, yesterday the buyers were viewing again and measuring up for curtains and things, I said they could, and they saw something going on outside, some shouting and laughing …’   ‘Women! What women? Jonathan’s not like that …’   ‘Not like that huh! He’s flesh and blood like the rest of us.’  ‘That’s not what I meant. Please don’t be angry Max, it’s not my fault.’ ‘Jonathan this and Jonathan that. Why do people think he’s so bloody marvellous eh! What the hell does he think he’s doing. People spilling over into my garden and wrecking the peace and quiet. George was completely mad to do this …”
Elizabeth Tebby Germaine, A MAN WHO SEEMED REAL: A story of love, lies, fear and kindness

Charlotte Brontë
“Oh! that gentleness! how far more potent is it than force!”
Charlotte Brontë, Jane Eyre

Emma Donoghue
“He’s altered, he knows; he’s brewing an infection of the spirit. These days, when he goes poking around the Plateau in search of anything remotely edible — the last of the bitter spoonwort, campion, dock, stonecrop, spurrey, tree mallow, even flakes of orange lichen, in hopes their colour might carry some vigour — in the back of his mind, Cormac is picking a fight. As he and the Prior keep adding to the walls of the chapel — almost roof-height now — his fury rises too.”
Emma Donoghue, Haven

Azar Nafisi
“I searched modern fiction and poetry for clues to how we confronted and evaded reality, how we articulated our experience and turned to language not to revel ourselves but to hide. I was as sure then as I am now that by looking at contemporary Iranian fiction I could gain access to a real understanding of political and social events. (p289)”
Azar Nafisi, Things I've Been Silent About

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