Verona

“She assumes,” Wax said, “that our detective style isn’t normally the punchy-punchy, stabby-stabby type.” “To be fair,” Wayne said, “it’s usually a more shooty-shooty, whacky-whacky type.”
― Brandon Sanderson, The Bands of Mourning

“Er dachte einige Zeit nach. Dann sprach er weiter: "Man darf nie an die ganze Straße auf einmal denken, verstehst du? Man muß nur an den nächsten Schritt denken, an den nächsten Atemzug, an den nächsten Besenstrich. Und immer wieder nur an den nächsten." Wieder hielt er inne und überlegte, ehe er hinzufügte: "Dann macht es Freude; das ist wichtig, dann macht man seine Sache gut. Und so soll es sein.”
― Michael Ende, Momo

“I am mountains that crush. I am waves that crash. I am storms that shatter. I am the end.”
― Brandon Sanderson, The Hero of Ages

“That was when they noticed that every musician on the stage was wearing mourning black. That was when they shut up. And when the conductor raised his arms, it was not a symphony that filled the cavernous space.

It was the Song of Eyllwe.

Then Song of Fenharrow. And Melisande. And Terrasen. Each nation that had people in those labour camps.

And finally, not for pomp or triumph, but to mourn what they had become, they played the Song of Adarlan.

When the final note finished, the conductor turned to the crowd, the musicians standing with him. As one, they looked to the boxes, to all those jewels bought with the blood of a continent. And without a word, without a bow or another gesture, they walked off the stage.

The next morning, by royal decree, the theatre was shut down.

No one saw those musicians or their conductor again.”
― Sarah J. Maas, Heir of Fire