Juliana

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Feb 27, 2026 01:07AM

 
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Clarice Lispector
“What am I in this instant? I’m a typewriter making the dry echo in the dark, humid dawn. I haven’t been human for a long time. They wanted me to be an object. I am an object. An object dirty with blood. An object that creates other objects and the machine creates us all. It makes demands. Mechanisms make endless demands on my life. But I don’t totally obey: if I have to be an object, let me be an object that screams. There’s something inside of me that hurts. Oh, how it hurts and how it screams for help. But tears aren’t there in the machine that is me. I’m an object without a destiny. I’m an object in whose hands? such is my human destiny. What saves me is the scream. I protest in the name of what’s inside the object behind the behind of the thought-feeling. I’m an urgent object.”
Clarice Lispector, The Stream of Life

Elena Garro
“Él sabía que el porvenir era un retroceder veloz hacia la muerte y la muerte el estado perfecto, el momento precioso en que el hombre recupera plenamente su otra memoria.”
Elena Garro, Los recuerdos del porvenir

Clarice Lispector
“To restore you and myself, I return to my state of garden and shade, cool reality, I hardly exist and if I do exist it’s with delicate care. Surrounding the shade is a teeming, sweaty heat. I’m alive. But I feel I’ve not yet reached my limits, bordering on what? Without limits, the adventure of a dangerous freedom. But I take the risk, I live taking it. I’m full of acacias swaying yellow, and I, who have barely begun my journey, begin it with a sense of tragedy, guessed what lost ocean my life steps will take me to. And crazily I latch onto the corners of myself, my hallucinations suffocate me with their beauty. I am before, I am almost, I am never. And all this I gained when I stopped loving you.”
Clarice Lispector, The Stream of Life

Madeline Miller
“He smiled, and his face was like the sun.”
Madeline Miller, The Song of Achilles

Donna Tartt
“Some things are too terrible to grasp at once. Other things - naked, sputtering, indelible in their horror - are too terrible to really grasp ever at all. It is only later, in solitude, in memory that the realization dawns: when the ashes are cold; when the mourners have departed; when one looks around and finds oneself - quite to one's surprise - in an entirely different world.”
Donna Tartt, The Secret History

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