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“All the muscles of the palms had been carefully cut from the bones, doubling the length of the fingers, and Sandoz’s hands reminded John of childhood Halloween skeletons.”
― The Sparrow
― The Sparrow
“Be born then, gasp wind, screech at the surgeon’s slap, seek manhood, taste a little godhood, feel pain, give birth, struggle a little while, succumb: (Dying, leave quietly by the rear exit, please.)”
― A Canticle for Leibowitz
― A Canticle for Leibowitz
“He thought of his old name. He’d almost forgotten it. He said it out loud, and it sounded as though he were being called by some stranger. He felt the familiar pressure in his head after yesterday’s drinking. Because it must be noted that Chinese people have two names: one given by their families, used to summon the child, scold and punish him, but also the basis for affectionate nicknames. But when the child goes out into the world, he or she takes another name, an outside name, a world name, a personage name. Donned like a uniform, a surplice, a prison jumpsuit, an outfit for a formal cocktail party. This outside name is useful and easy to remember. From here on out it will corroborate its person. Best if it’s worldly, universal, recognizable to everyone; down with the locality of our names. Down with Oldrzich, Sung Yin, Kazimierz, and Jyrek; down with Blażen, Liu, and Milica. Long live Michael, Judith, Anna, Jan, Samuel, and Eryk!”
― Flights
― Flights
“Move. Get going. Blessed is he who leaves.”
― Flights
― Flights
“He didn't look angry. Stern, maybe. Impassive, definitely. Eventually, he raised his hand and turned away. Not just sort of away, but forty-five degrees away, like, I'm not looking at you anymore. I'm looking this totally different way now and so we're done.
Just above face level, his palm flat and perpendicular to the floor, like a stereotyped movie Native American going "How!" Or a traffic cop saying, "Stop!" Or maybe a guy signaling his uninvited biographer to keep his distance — which is understandable on a human level, but less so in the wake of fifty-plus years of public life. All that self-revelation in his music — in the hundreds of thousands of words of interviews he's given, talking about his wives; his lovers; his astonishingly screwed-up relationship with the friend/musical partner he will sometimes insist had no real impact on him at all, and then turn around and say that their lives have always been woven together; and his father; his creative blocks; his anxieties; his therapists; and more.
Still: Don't look at me.”
― Homeward Bound: The Life of Paul Simon
Just above face level, his palm flat and perpendicular to the floor, like a stereotyped movie Native American going "How!" Or a traffic cop saying, "Stop!" Or maybe a guy signaling his uninvited biographer to keep his distance — which is understandable on a human level, but less so in the wake of fifty-plus years of public life. All that self-revelation in his music — in the hundreds of thousands of words of interviews he's given, talking about his wives; his lovers; his astonishingly screwed-up relationship with the friend/musical partner he will sometimes insist had no real impact on him at all, and then turn around and say that their lives have always been woven together; and his father; his creative blocks; his anxieties; his therapists; and more.
Still: Don't look at me.”
― Homeward Bound: The Life of Paul Simon
CHILTONM’s 2025 Year in Books
Take a look at CHILTONM’s Year in Books, including some fun facts about their reading.
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