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La muerte de Iván...
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Dec 09, 2025 01:27AM

 
Diarios
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Dec 09, 2025 01:26AM

 
Cartas a Theo
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"dale vincent llevo dos meses ya leyendo este libro MEDIA “noche estrellada” aunque sea mostrame" May 20, 2025 11:55PM

 
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Jennifer Snyder
“Well, think about it for a minute. A guy tells you that he loves you and then turns around and buys you flowers…or worse, tells you that he loves you with flowers. Cut flowers die. They die in a few days after being cut…and this is what you guys choose to use as proof of your love? Something that dies in a few days? To me it seems like foreshadowing or something, like your basically saying that our love is beautiful but only for a limited time and then it will wither away to nothing like your flowers.”
Jennifer Snyder , The Unloved

Mercè Rodoreda
“I amunt, jo amunt, amunt, Colometa, vola, Colometa... Amb la cara com una taca blanca damunt del negre del dol... amunt, Colometa, que darrera teu hi ha tota la pena del món, desfes-te de la pena del món, Colometa.”
Mercè Rodoreda, La plaça del Diamant

Donna Tartt
“Beauty is rarely soft or consolatory. Quite the contrary. Genuine beauty is always quite alarming.”
Donna Tartt, The Secret History

Donna Tartt
“I look at the blanked-out faces of the other passengers--hoisting their briefcases, their backpacks, shuffling to disembark--and I think of what Hobie said: beauty alters the grain of reality. And I keep thinking too of the more conventional wisdom: namely, that the pursuit of pure beauty is a trap, a fast track to bitterness and sorrow, that beauty has to be wedded to something more meaningful.

Only what is that thing? Why am I made the way I am? Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see so clearly that everything I love or care about is illusion, and yet--for me, anyway--all that's worth living for lies in that charm?

A great sorrow, and one that I am only beginning to understand: we don't get to choose our own hearts. We can't make ourselves want what's good for us or what's good for other people. We don't get to choose the people we are.

Because--isn't it drilled into us constantly, from childhood on, an unquestioned platitude in the culture--? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it's a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what's right for us? Every shrink, every career counselor, every Disney princess knows the answer: "Be yourself." "Follow your heart."

Only here's what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?...If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or...is it better to throw yourself head first and laughing into the holy rage calling your name?”
Donna Tartt, The Goldfinch

Donna Tartt
“That life - whatever else it is - is short. That fate is cruel but maybe not random. That Nature (meaning Death) always wins but that doesn’t mean we have to bow and grovel to it. That maybe even if we’re not always so glad to be here, it’s our task to immerse ourselves anyway: wade straight through it, right through the cesspool, while keeping eyes and hearts open. And in the midst of our dying, as we rise from the organic and sink back ignominiously into the organic, it is a glory and a privilege to love what Death doesn’t touch.”
Donna Tartt, The Goldfinch

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