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Say Nothing: A Tr...
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On Kissing, Tickl...
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The Pillow Book
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Charles Dickens
“Above all, one hideous figure grew as familiar as if it had been before the general gaze from the foundations of the world - the figure of the sharp female called La Guillotine.
It was the popular theme for jests; it was the best cure for headache, it infallibly prevented hair from turning gray, it imparted a peculiar delicacy to the complexion, it was the National Razor which shaved close: who kissed La Guillotine looked through the little window and sneezed into the sack.”
― Charles Dickens, A Tale of Two Cities

Jonathan Franzen
“This wasn't the person he'd thought he was, or would have chosen to be if he'd been free to choose, but there was something comforting and liberating about being an actual definite someone, rather than a collection of contradictory potential someones.”
― Jonathan Franzen, Freedom

Charles Dickens
“That glorious vision of doing good is so often the sanguine mirage of so many good minds.”
― Charles Dickens, A Tale of Two Cities

Jonathan Franzen
“Patty knew, in her heart, that he was wrong in his impression of her. And the mistake she went to go on to make, the really big life mistake, was to go along with Walter's version of her in spite of knowing that it wasn't right. He seemed so certain of her goodness that eventually he wore her down.”
― Jonathan Franzen, Freedom

Jonathan Franzen
“Each new thing he encountered in life impelled him in a direction that fully convinced him of its rightness, but then the next new thing loomed up and impelled him in the opposite direction, which also felt right. There was no controlling narrative: he seemed to himself a purely reactive pinball in a game whose only object was to stay alive for staying alive's sake.”
― Jonathan Franzen, Freedom

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