

“A lot of good men had been thinking for us. Marx did. Engels did. These people did beautifully. Yet maybe we need to get through Marx, for Marx doesn't give the keys and answers for us women.' If women must independently find their images, what of feminist-friendly men? 'If men want to join, leave the door open. They can listen,' Varda says.”
― Agnes Varda: Interviews
― Agnes Varda: Interviews

“Andrea Meyer: What do you think your films offer to people today?
Agnès Varda: I would say energy. I would say love for filming, intuition. I mean, a woman working with her intuition and trying to be intelligent. It's like a stream of feelings, intuition, and joy of discovering things. Finding beauty where it's maybe not. Seeing. And, on the other hand, trying to be structural, organized; trying to be clever. And doing what I believe is cinécriture, what I always call cine-writing. Which is not a screenplay. Which is not only the narration words. It's choosing the subject, choosing the place, the season, the crew, choosing the shots, the place, the lens, the light. Choosing your attitude towards people, towards actors. Then choosing the editing, the music. Choosing contemporary musicians. Choosing the tune of the mixing. Choosing the publicity material, the press book, the poster. You know, it's a handmade work of filmmaking - that I really believe. And I call that cine-writing.”
― Agnes Varda: Interviews
Agnès Varda: I would say energy. I would say love for filming, intuition. I mean, a woman working with her intuition and trying to be intelligent. It's like a stream of feelings, intuition, and joy of discovering things. Finding beauty where it's maybe not. Seeing. And, on the other hand, trying to be structural, organized; trying to be clever. And doing what I believe is cinécriture, what I always call cine-writing. Which is not a screenplay. Which is not only the narration words. It's choosing the subject, choosing the place, the season, the crew, choosing the shots, the place, the lens, the light. Choosing your attitude towards people, towards actors. Then choosing the editing, the music. Choosing contemporary musicians. Choosing the tune of the mixing. Choosing the publicity material, the press book, the poster. You know, it's a handmade work of filmmaking - that I really believe. And I call that cine-writing.”
― Agnes Varda: Interviews

“So I had a slight inferiority complex that I had a limit. And after, not only did I get over this complex but I realized that this complex was silly because the role of a woman is not to prove that she can do all that a man can do or knows how to do. On the contrary, the role of a woman is to do what she feels she should do as a woman. And if she wants to do things that are different from what men do then all the better.”
― Agnes Varda: Interviews
― Agnes Varda: Interviews

“The first feminist gesture is to say: “OK, they're looking at me. But I'm looking at them.” The act of deciding to look, of deciding that the world is not defined by how people see me, but how I see them.”
―
―

“I let things happen because I never make a film that people ask me to do or bring me a package with a good book and two actors and all that. I think cinema should be made by coming from nowhere to becoming a film. This I believe in.”
― Agnes Varda: Interviews
― Agnes Varda: Interviews
Khushi’s 2024 Year in Books
Take a look at Khushi’s Year in Books, including some fun facts about their reading.
Favorite Genres
Art, Biography, Classics, Fiction, Graphic novels, Humor and Comedy, Memoir, Music, Mystery, Non-fiction, Philosophy, Poetry, Psychology, Romance, Science, Self help, Thriller, Travel, and Young-adult
Polls voted on by Khushi
Lists liked by Khushi