Neha Reddy

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The Jakarta Metho...
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Caitlyn Siehl
“My mother tells me
that when I meet someone I like,
I have to ask them three questions:

1. what are you afraid of?
2. do you like dogs?
3. what do you do when it rains?

of those three, she says the first one is the most important.
“They gotta be scared of something, baby. Everybody is. If they aren’t afraid of anything, then they don’t believe in anything, either.”I asked you what you were afraid of.
“spiders, mostly. being alone. little children, like, the ones who just learned how to push a kid over on the playground. oh and space. holy shit, space.”
I asked you if you liked dogs.
“I have three.”
I asked you what you do when it rains.
“sleep, mostly. sometimes I sit at the window and watch the rain droplets race. I make a shelter out of plastic in my backyard for all the stray animals; leave them food and a place to sleep.”
he smiled like he knew.
like his mom told him the same
thing.
“how about you?”

me?
I’m scared of everything.
of the hole in the o-zone layer,
of the lady next door who never
smiles at her dog,
and especially of all the secrets
the government must be breaking
it’s back trying to keep from us.
I love dogs so much, you have no idea.
I sleep when it rains.
I want to tell everyone I love them.
I want to find every stray animal and bring them home.
I want to wake up in your hair
and make you shitty coffee
and kiss your neck
and draw silly stick figures of us.
I never want to ask anyone else
these questions
ever again.”
Caitlyn Siehl, What We Buried

Caitlyn Siehl
“Don't you do that.
Don't you look at what I had for you and call it weak.
Not when you were the one afraid of it.
I stood there with my hands open,
my mouth bruised tender with supplication.
Don't you dare treat me like a victim of my own emotions,
like being moved to my knees by love
was a mistake that I regret.
I will go to my grave with the memory of the bravery in my bones.”
Caitlyn Siehl, What We Buried

Sylvia Plath
“How could I write about life when I'd never had a love affair or a baby or seen anybody die?”
Sylvia Plath, The Bell Jar

Virginia Woolf
“It's too short,' she said, 'ever so much too short.' Never did anybody look so sad. Bitter and black, half-way down, in the darkness, in the shaft which ran from the sunlight to the depths, perhaps a tear formed; a tear fell; the waters swayed this way and that, received it, and were at rest. Never did anybody look so sad.”
Virginia Woolf, To the Lighthouse

Virginia Woolf
“That is why Napoleon and Mussolini both insist so emphatically upon the inferiority of women, for if they were not inferior, they would cease to enlarge. That serves to explain in part the necessity that women so often are to men. And it serves to explain how restless they are under her criticism; how impossible it is for her to say to them this book is bad, this picture is feeble, or whatever it may be, without giving far more pain and rousing far more anger than a man would do who gave the same criticism. For if she begins to tell the truth, the figure in the looking-glass shrinks; his fitness for life is diminished. How is he to go on giving judgement, civilising natives, making laws, writing books, dressing up and speechifying at banquets, unless he can see himself at breakfast and at dinner at least twice the size he really is?. . . they say to themselves as they go into the room, I am the superior of half the people here, and it is thus that they speak with that self-confidence, that self-assurance, which have such profound consequences in public life and lead to such curious notes in the margin of the private mind.”
Virginia Woolf

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