“You must always look with both of your eyes and listen with both of your ears. He says this is a very big world and there are many many things you could miss if you are not careful. There are remarkable things all the time, right in front of us, but our eyes have like the clouds over the sun and our lives are paler and poorer if we do not see them for what they are. If nobody speaks of remarkable things, how can they be called remarkable?”
― If Nobody Speaks Of Remarkable Things
― If Nobody Speaks Of Remarkable Things
“I remember once I asked Wayne for the time," Miller told Mercer. "He started talking to me about the cosmos and how time is relative." Miller and [Wayne] Shorter were waiting somewhere -- an airport, a train station, a hotel. The band's keyboardist, Joe Zawinul, who took charge of such matters as what the road crew was supposed to do and when, set Miller straight. "You don't ask Wayne shit like that," he snapped. "It's 7:06 p.m." [p.1]”
― The Jazz Ear: Conversations Over Music
― The Jazz Ear: Conversations Over Music
“You see, we cannot draw lines and compartments and refuse to budge beyond them. Sometimes you have to use your failures as stepping-stones to success. You have to maintain a fine balance between hope and despair.' He paused, considering what he had just said. 'Yes', he repeated. 'In the end, it's all a question of balance.”
― A Fine Balance
― A Fine Balance
“Yes, yes," Gee Sook said. "Look how Jung stands like a man today.”
― The Jade Peony
― The Jade Peony
“The genuine artist, Harris is saying, finds reality in a point of identity between subject and object, a point at which the created world and the world that is really there become the same thing. [p.211]”
― The Bush Garden: Essays on the Canadian Imagination
― The Bush Garden: Essays on the Canadian Imagination
Neilms’s 2024 Year in Books
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