Omid Haqbin

“The novelist is like the conductor of an orchestra, his back to the audience, his face invisible, summoning the experience of music for the people he cannot see. The writer as conductor also gets to compose the music and play all of the instruments, a task less formidable than it seems.”
― Sol Stein, Stein On Writing: A Master Editor of Some of the Most Successful Writers of Our Century Shares His Craft Techniques and Strategies

“I concluded that my father had tried to erase any image of his brother so he might forget him. The futility of the attempt was obvious; when you put in that much effort to forget someone, the effort itself becomes a memory. Then you have to forget the forgetting, and that too is memorable.”
― Steve Toltz, A Fraction of the Whole

“I hear her smiling when she describes her outfit: “I made myself fashionable. And diplomatic. They all took my picture. The BBC, Voice of America, and Tolo TV. I had the turquoise scarf—the one you saw the other day. You know it. And the black jacket.” She pauses. “And a lot of makeup. Big makeup.” I breathe in deeply. I am the journalist. She is the subject. The rule is to show no emotion.”
― Jenny Nordberg, The Underground Girls of Kabul: In Search of a Hidden Resistance in Afghanistan

“Problem is, Jews don’t believe in hell, so there isn’t the same readily accessible chamber of fear the Catholics have up their sleeve to poison the nervous system of their youth. You can’t turn to a young Jewish boy and say, “You see that pit of fire? That’s where you’re going.”
― Steve Toltz, A Fraction of the Whole