Clemente Clynes

“Mr. Pugh turned bright red. His cheeks puffed up like the galls of shad from the nearby river. His green- monster eyes rolled around his face, and he pounded both fists down on the table, and through grinding teeth and snorting gasps hollered, “INDEED NOT, MISS KNAPP! Slaves are not allowed to read and write. We have you here with good and steady pay to instruct our children and nothing else. Going near that boy, or any other slave, with chalk or book learnin’ is strictly forbidden! Do you understand me?”
― Sheridan Brown, The Viola Factor

“Mary dashed the rain from her eyes with a frozen hand. Was that a knife buried in the man’s chest with the blood seeping up around it? Doesn’t that mean he’s alive? Although with the blade at that angle, it can’t be for long. Colors swam in the water coating Mary’s vision. She rubbed her face, and with every shuttering breath, even before she could see his features, she knew her son, George, the son she had never met, was dead.”
― Susan Rowland, Murder on Family Grounds

“Counselor, you can come along, but I prefer to interview Stella alone.”
“Let’s just say I’ll think about that.”
“Is there a legal precedence that you feel you need to be there?”
“No, no legal precedence. Just looking out for my client.”
“Stella is now my client, as well. I don’t take any of my cases lightly. I’ve been hired to find the murderer and that’s what I intend to do. Stella is the starting point, and her interview is pivotal. If you are in the interview room with us, she may not divulge information that could be crucial to my going further. I hope you can understand my position in this.”
― Behcet Kaya, Uncanny Alliance

“When you see your parents rarely, all is forgiven.”
― Marjane Satrapi, The Complete Persepolis