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Wormwood
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by Poppy Z. Brite (Goodreads Author)
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Haruki Murakami
“Lost opportunities, lost possibilities, feelings we can never get back. That's part of what it means to be alive. But inside our heads - at least that's where I imagine it - there's a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in awhile, let in fresh air, change the water in the flower vases. In other words, you'll live forever in your own private library.”
Haruki Murakami, Kafka on the Shore

Terry Pratchett
“A book has been taken. A book has been taken? You summoned the Watch," Carrot drew himself up proudly, "because someone's taken a book? You think that's worse than murder?"
The Librarian gave him the kind of look other people would reserve for people who said things like "What's so bad about genocide?”
Terry Pratchett, Guards! Guards!

Bill Hicks
“Today a young man on acid realized that all matter is merely energy condensed to a slow vibration, that we are all one consciousness experiencing itself subjectively, there is no such thing as death, life is only a dream, and we are the imagination of ourselves. Heres Tom with the Weather.”
Bill Hicks

Brandon Sanderson
The most important step a man can take. It's not the first one, is it?
It's the next one. Always the next step, Dalinar.

Brandon Sanderson, Oathbringer

Stephen  King
“Take any noun, put it with any verb, and you have a sentence. It never fails. Rocks explode. Jane transmits. Mountains float. These are all perfect sentences. Many such thoughts make little rational sense, but even the stranger ones (Plums deify!) have a kind of poetic weight that’s nice. The simplicity of noun-verb construction is useful—at the very least it can provide a safety net for your writing. Strunk and White caution against too many simple sentences in a row, but simple sentences provide a path you can follow when you fear getting lost in the tangles of rhetoric—all those restrictive and nonrestrictive clauses, those modifying phrases, those appositives and compound-complex sentences. If you start to freak out at the sight of such unmapped territory (unmapped by you, at least), just remind yourself that rocks explode, Jane transmits, mountains float, and plums deify. Grammar is not just a pain in the ass; it’s the pole you grab to get your thoughts up on their feet and walking. Besides, all those simple sentences worked for Hemingway, didn’t they? Even when he was drunk on his ass, he was a fucking genius.”
Stephen King, On Writing: A Memoir of the Craft

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