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“Outside, beyond the vast red bricked labyrinth of Kremlin walls, a humid night ensnarled the Soviet capital in its spell. Yet here in the womb-like private cinema Josef Stalin sat, eyes transfixed on the screen, as Johnny Weissmuller arced through a canopy of trees boldly screaming his signature jungle call.”
KGE Konkel, Who Has Buried the Dead?: From Stalin to Putin … The last great secret of World War Two

Michael Tobert
“Secrets,’ she replied, casting my trousers aside, ‘are difficult things. Not precise. Not always the same for the one who tells as for the one who receives. They make demands. They may cause you to ask yourself, “Am I worthy?”’ At which, as if to illustrate the point, she removed her bra and watched me follow the lines of her magnificent form with my eyes.”
Michael Tobert, Karna's Wheel

Diane L. Kowalyshyn
“What can I get you? A glass of water? A gun to shoot me with?”
Diane L. Kowalyshyn, Stage Fright

Michael Tobert
“Thatched huts of mud sit humped in rows. Between the rows, a stagnant stream of sewage stews like thick soup bubbling in the clotted heat. Mosquitoes swarm. Garbage rots. Parvati gathers her sari about her and steps as lightly as she can down this gutter of filth. The boy stops outside one of the huts. Parvati and Sunil push aside the sacking that is over the doorway, stoop and step down onto a mud floor. Inside, there is no window, no light and no air. Only heat. Parvati puts her hand to her long elegant throat. Above her, one end of the roof is sagging as if about to collapse.
‘Bustee, very good,’ says the boy smiling.”
Michael Tobert, Karna's Wheel

Diane L. Kowalyshyn
“She needed to have a good hard look at her priorities because, as of this moment, she’d been racing down the same road as Bessie.”
Diane L. Kowalyshyn, Stage Fright

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