yuri
https://www.goodreads.com/wickedeye
yuri
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(page 55 of 320)
"ok but why is this just too good. i wasnt expecting this level of good interaction and this pages basically are just a big conversation of two characters, but just keeps going on its topics and its so rich exploring the two perspectives. the book doesnt even takes time to describe the individuals, it just lets the dialogue of them speak for itself. its beautiful" — Feb 22, 2026 07:15PM
"ok but why is this just too good. i wasnt expecting this level of good interaction and this pages basically are just a big conversation of two characters, but just keeps going on its topics and its so rich exploring the two perspectives. the book doesnt even takes time to describe the individuals, it just lets the dialogue of them speak for itself. its beautiful" — Feb 22, 2026 07:15PM
“This novel contains violent scenes and grotesque expressions.'
That being said, it's implied that they are merely small events happening inside the solid framework of a novel, and most of it is nothing more than foolish assumptions unable to detach themselves from rules and order. After having enjoyed that violence and grotesque to their heart's content, the readers will make an unsatisfied face and return to the world they originally belonged to, their world, the normal world. Violence and grotesque are just a form of amusement, pure and unadulterated amusement. It's just that, only that, and nothing more than that. But the problem here is that: "just that" isn't in the sense of "nothing other than that." It's in the sense of even though there are multiple choices, we find ourselves making a decision while still believing there is only one. Although those are hopeless lyrics, worthless words useless as a real world problem, and merely notions overlapping with other notions to make food for pseudo-philosophy.”
― きみとぼくの壊れた世界
That being said, it's implied that they are merely small events happening inside the solid framework of a novel, and most of it is nothing more than foolish assumptions unable to detach themselves from rules and order. After having enjoyed that violence and grotesque to their heart's content, the readers will make an unsatisfied face and return to the world they originally belonged to, their world, the normal world. Violence and grotesque are just a form of amusement, pure and unadulterated amusement. It's just that, only that, and nothing more than that. But the problem here is that: "just that" isn't in the sense of "nothing other than that." It's in the sense of even though there are multiple choices, we find ourselves making a decision while still believing there is only one. Although those are hopeless lyrics, worthless words useless as a real world problem, and merely notions overlapping with other notions to make food for pseudo-philosophy.”
― きみとぼくの壊れた世界
“Talk nonsense, but talk your own nonsense, and I'll kiss you for it. To go wrong in one's own way is better than to go right in someone else's.”
―
―
“I am beginning to be sorry that I ever undertook to write this book. Not that it bores me; I have nothing else to do; indeed, it is a welcome distraction from eternity. But the book is tedious, it smells of the tomb, it has a rigor mortis about it; a serious fault, and yet a relatively small one, for the great defect of this book is you, reader. You want to live fast, to get to the end, and the book ambles along slowly; you like straight, solid narrative and a smooth style, but this book and my style are like a pair of drunks; they stagger to the right and to the left, they start and they stop, they mutter, they roar, they guffaw, they threaten the sky, they slip and fall...
And fall! Unhappy leaves of my cypress tree, you had to fall, like everything else that is lovely and beautiful; if I had eyes, I would shed a tear of remembrance for you. And this is the great advantage in being dead, that if you have no mouth with which to laugh, neither have you eyes with which to cry.”
― Memórias póstumas de Brás Cubas
And fall! Unhappy leaves of my cypress tree, you had to fall, like everything else that is lovely and beautiful; if I had eyes, I would shed a tear of remembrance for you. And this is the great advantage in being dead, that if you have no mouth with which to laugh, neither have you eyes with which to cry.”
― Memórias póstumas de Brás Cubas
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