Angela

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Virginia Woolf
“I detest the masculine point of view. I am bored by his heroism, virtue, and honour. I think the best these men can do is not talk about themselves anymore.”
Virginia Woolf, The Pargiters

Maggie Nelson
“both offer immersion in their vision without rehashing the avant-garde fetish of terrorizing the audience or the mainstream one of chaperoning it. “We abide by cultural directives that urge us: clarify each thought, each experience, so you can cull from them their single, dominant meaning and, in the process, become a responsible adult who knows what he or she thinks,” Foreman has said. “But what I try to show is the opposite: how at every moment, the world presents us with a composition in which a multitude of meanings and realities are available, and you are able to swim, lucid and self-contained, in that turbulent sea of multiplicity.”
Maggie Nelson, The Art of Cruelty: A Reckoning

Deborah Levy
“It was not that easy to convey to him, a man much older than she was, that the world was her world, too. He had taken a risk when he invited her to join him at his table. After all, she came with a whole life and libido of her own. It had not occurred to him that she might not consider herself to be the minor character and him the major character. In this sense, she had unsettled a boundary, collapsed a social hierarchy, broken with the usual rules.”
Deborah Levy, The Cost of Living: A Working Autobiography

“I require of all my students… that they are downy and pubescent, pimpled with sullen mistrust, and boiling away with private fury and ardor and uncertainty and gloom. I require that they wait in the corridor for ten minutes at least before each lesson, tenderly nursing their injustices, picking miserably at their own unworthiness as one might finger a scab or caress a scar. If I am to teach your daughter, you darling hopeless and inadequate mother, she must be moody and bewildered and awkward and dissatisfied and wrong. When she realizes that he body is a secret, a dark and yawning secret of which she becomes more and more ashamed, come back to me. You must understand me on this point. I cannot teach children.”
Eleanor Catton, The Rehearsal

Joan Didion
“[O]ne of the mixed blessings of being twenty and twenty-one and even twenty-three is the conviction that nothing like this, all evidence to the contrary notwithstanding, has ever happened before.”
Joan Didion, Slouching Towards Bethlehem

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