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“At the top of a hill our automobile stuck in a snowdrift. Peasants ran out of a cottage near by, shouting with laughter because machinery had made a fool of itself, and dug out the automobile with incredible rapidity. They were doubtless anxious to get back and tell a horse about it.”
― Rebecca West, Black Lamb and Grey Falcon

“This race and this country and this life produced me, he said. I shall express myself as I am.”
― James Joyce, A Portrait of the Artist as a Young Man

“Behind it was that vast suspension bridge which always troubles me because it reminds me that in this mechanized age I am as little able to understand my environment as any primitive woman who thinks that a waterfall is inhabited by a spirit, and indeed less so, for her opinion might from a poetical point of view be correct.”
― Rebecca West, Black Lamb and Grey Falcon

“When I lived on the Bluff in Yokohama I spend a good deal of my leisure in the company of foreign residents, at their banquets and balls. At close range I was not particularly struck by their whiteness, but from a distance I could distinguish them quite clearly from the Japanese. Among the Japanese were ladies who were dressed in gowns no less splendid than the foreigners’, and whose skin was whiter than theirs. Yet from across the room these ladies, even one alone, would stand out unmistakably from amongst a group of foreigners. For the Japanese complexion, no matter how white, is tinged by a slight cloudiness. These women were in no way reticent about powdering themselves. Every bit of exposed flesh—even their backs and arms—they covered with a thick coat of white. Still they could not efface the darkness that lay below their skin. It was as plainly visible as dirt at the bottom of a pool of pure water. Between the fingers, around the nostrils, on the nape of the neck, along the spine—about these places especially, dark, almost dirty, shadows gathered. But the skin of the Westerners, even those of a darker complexion, had a limpid glow. Nowhere were they tainted by this gray shadow. From the tops of their heads to the tips of their fingers the whiteness was pure and unadulterated. Thus it is that when one of us goes among a group of Westerners it is like a grimy stain on a sheet of white paper. The sight offends even our own eyes and leaves none too pleasant a feeling.”
― Junichiro Tanizaki, In Praise of Shadows