Caroline Smith

“For instance, the previous run-on sentence is a sentence fragment, and it happened in part because of the really nice time my body was having making this lavender Le Pen make the loop-de-looping we call language. I mean writing. The point: I’d no sooner allow that fragment to sit there like a ripe zit if I was typing on a computer. And consequently, some important aspect of my thinking, particularly the breathlessness, the accruing syntax, the not quite articulate pleasure that evades or could give a fuck about the computer’s green corrective lines (how they injure us!) would be chiseled, likely with a semicolon and a proper predicate, into something correct, and, maybe, dull. To be sure, it would have less of the actual magic writing is, which comes from our bodies, which we actually think with, quiet as it’s kept.”
― Ross Gay, The Book of Delights: Essays

“Although I have felt compelled to write things down since I was five years old, I doubt that my daughter ever will, for she is a singularly blessed and accepting child, delighted with life exactly as life presents itself to her, unafraid to go to sleep and unafraid to wake up. Keepers of private notebooks are a different breed altogether, lonely and resistant rearrangers of things, anxious malcontents, children afflicted apparently at birth with some presentiment of loss.”
― Joan Didion

“Split the Castle open,
find me, find you.
We, two, felt sand,
wind, air.
One felt whip. Whipped,
Once shipped.
We, two, black.
Me, you.
One grew from
cocoa's soil, birthed from nut,
skin uncut, still bleeding.
We two, wade.
The waters seem different
but are same.
Our same. Sister skin.
Who knew? Not me. Not you”
― Yaa Gyasi, Homegoing

“It didn’t take me long to learn that the discipline or practice of writing these essays occasioned a kind of delight radar. Or maybe it was more like the development of a delight muscle. Something that implies that the more you study delight, the more delight there is to study.”
― Ross Gay, The Book of Delights: Essays