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“On the course of that chariot and those horses.
A boy could not hope to control them.
You are my son, but mortal. No mortal
Could hope to manage those reins.
Not even the gods are allowed to touch them.
...
'Our first stretch is almost vertical.
Fresh as they are, first thing,
It is all the horses can do to get up it.
Then on to mid-heaven. Terrifying
To look down through nothing
At earth and sea, so tiny.
My heart nearly struggles out of my body
As the chariot sways.
Then the plunge towards evening -
There you need strength on the reins. Tethys,
'Who waits to receive me
Into her waters, is always afraid
I shall topple -
And come tumbling
Head over heels in a tangled mass.
'Remember, too,
That the whole sky is revolving
With its constellations, its planets.
I have to force my course against that -
Not to be swept backwards as all else is.
'What will you do,
Your feet braced at the chariot, the reins in your hands,
When you have to counter the pull
Of the whistling Poles? When the momentum
Of the whole reeling cosmos hauls you off sideways?”
― Tales from Ovid: 24 Passages from the Metamorphoses
A boy could not hope to control them.
You are my son, but mortal. No mortal
Could hope to manage those reins.
Not even the gods are allowed to touch them.
...
'Our first stretch is almost vertical.
Fresh as they are, first thing,
It is all the horses can do to get up it.
Then on to mid-heaven. Terrifying
To look down through nothing
At earth and sea, so tiny.
My heart nearly struggles out of my body
As the chariot sways.
Then the plunge towards evening -
There you need strength on the reins. Tethys,
'Who waits to receive me
Into her waters, is always afraid
I shall topple -
And come tumbling
Head over heels in a tangled mass.
'Remember, too,
That the whole sky is revolving
With its constellations, its planets.
I have to force my course against that -
Not to be swept backwards as all else is.
'What will you do,
Your feet braced at the chariot, the reins in your hands,
When you have to counter the pull
Of the whistling Poles? When the momentum
Of the whole reeling cosmos hauls you off sideways?”
― Tales from Ovid: 24 Passages from the Metamorphoses
“For last year's words belong to last year's language
And next year's words await another voice.”
― Four Quartets
And next year's words await another voice.”
― Four Quartets
“However wildly
this year's cherry blossoms bloom,
I'll see them
with the plum's scent
filling my heart.”
― The Ink Dark Moon: Love Poems by Ono no Komachi and Izumi Shikibu, Women of the Ancient Court of Japan
this year's cherry blossoms bloom,
I'll see them
with the plum's scent
filling my heart.”
― The Ink Dark Moon: Love Poems by Ono no Komachi and Izumi Shikibu, Women of the Ancient Court of Japan
“When he shall die,
Take him and cut him out in little stars,
And he will make the face of heaven so fine
That all the world will be in love with night
And pay no worship to the garish sun.”
― Romeo and Juliet
Take him and cut him out in little stars,
And he will make the face of heaven so fine
That all the world will be in love with night
And pay no worship to the garish sun.”
― Romeo and Juliet
“Time present and time past
Are both perhaps present in time future
And time future contained in time past.
If all time is eternally present
All time is unredeemable.
What might have been is an abstraction
Remaining a perpetual possibility
Only in a world of speculation.
What might have been and what has been
Point to one end, which is always present.
Footfalls echo in the memory
Down the passage which we did not take
Towards the door we never opened
Into the rose-garden. My words echo
Thus, in your mind.
But to what purpose
Disturbing the dust on a bowl of rose-leaves
I do not know.
Other echoes
Inhabit the garden. Shall we follow?
Quick, said the bird, find them, find them,
Round the corner. Through the first gate,
Into our first world, shall we follow
The deception of the thrush? Into our first world.
There they were, dignified, invisible,
Moving without pressure, over the dead leaves,
In the autumn heat, through the vibrant air,
And the bird called, in response to
The unheard music hidden in the shrubbery,
And the unseen eyebeam crossed, for the roses
Had the look of flowers that are looked at.
There they were as our guests, accepted and accepting.
So we moved, and they, in a formal pattern,
Along the empty alley, into the box circle,
To look down into the drained pool.
Dry the pool, dry concrete, brown edged,
And the pool was filled with water out of sunlight,
And the lotos rose, quietly, quietly,
The surface glittered out of heart of light,
And they were behind us, reflected in the pool.
Then a cloud passed, and the pool was empty.
Go, said the bird, for the leaves were full of children,
Hidden excitedly, containing laughter.
Go, go, go, said the bird: human kind
Cannot bear very much reality.
Time past and time future
What might have been and what has been
Point to one end, which is always present.”
― Four Quartets
Are both perhaps present in time future
And time future contained in time past.
If all time is eternally present
All time is unredeemable.
What might have been is an abstraction
Remaining a perpetual possibility
Only in a world of speculation.
What might have been and what has been
Point to one end, which is always present.
Footfalls echo in the memory
Down the passage which we did not take
Towards the door we never opened
Into the rose-garden. My words echo
Thus, in your mind.
But to what purpose
Disturbing the dust on a bowl of rose-leaves
I do not know.
Other echoes
Inhabit the garden. Shall we follow?
Quick, said the bird, find them, find them,
Round the corner. Through the first gate,
Into our first world, shall we follow
The deception of the thrush? Into our first world.
There they were, dignified, invisible,
Moving without pressure, over the dead leaves,
In the autumn heat, through the vibrant air,
And the bird called, in response to
The unheard music hidden in the shrubbery,
And the unseen eyebeam crossed, for the roses
Had the look of flowers that are looked at.
There they were as our guests, accepted and accepting.
So we moved, and they, in a formal pattern,
Along the empty alley, into the box circle,
To look down into the drained pool.
Dry the pool, dry concrete, brown edged,
And the pool was filled with water out of sunlight,
And the lotos rose, quietly, quietly,
The surface glittered out of heart of light,
And they were behind us, reflected in the pool.
Then a cloud passed, and the pool was empty.
Go, said the bird, for the leaves were full of children,
Hidden excitedly, containing laughter.
Go, go, go, said the bird: human kind
Cannot bear very much reality.
Time past and time future
What might have been and what has been
Point to one end, which is always present.”
― Four Quartets
Cathy’s 2025 Year in Books
Take a look at Cathy’s Year in Books, including some fun facts about their reading.
1,904 books
|
625 friends
1,315 books
|
177 friends
148 books
|
22 friends
246 books
|
29 friends
2,392 books
|
64 friends
246 books
|
30 friends
106 books
|
3 friends
6,500 books
|
1,945 friends
More friends…
Favorite Genres
Polls voted on by Cathy
Lists liked by Cathy
