Samuel Ayers

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Book cover for Reservation Blues
Thomas saw that Robert Johnson looked scared and tired, in need of a shower, a good night’s rest, and a few stories to fill his stomach.
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Dan Simmons
“Flowers all attain their flowerhood. A wild dog or blind zygoat each attain their doghood or zygoathood. A place—any place—is granted its placehood. Only humankind struggles and fails in becoming what it is. The reasons are many and complex, but all stem from the fact that we have evolved as one of the self-seeing organs of the evolving universe. Can the eye see itself?”
Dan Simmons, The Rise of Endymion

John Steinbeck
“Also, I am not shy about admitting that I am an incorrigible Peeping Tom. I have never passed an unshaded window without looking in, have never closed my ears to a conversation that was none of my business. I can justify or even dignify this by protesting that in my trade I must know about people, but I suspect that I am simply curious.”
John Steinbeck, Travels With Charley: In Search of America

John Steinbeck
“This monster of a land, this mightiest of nations, this spawn of the future, turns out to be the macrocosm of microcosm me.”
John Steinbeck, Travels With Charley: In Search of America

Liu Cixin
“Real Japanese sword fights often ended after a very brief struggle lasting no more than half a second to two seconds. By the time the swords had clashed but once, one side had already fallen in a pool of blood. But before this moment, the opponents stared at each other like statues, sometimes for as long as ten minutes. During this contest, the swordsman’s weapon wasn’t held by the hands, but by his heart. The heart-sword, transformed through the eyes into the gaze, stabbed into the depths of the enemy’s soul. The real winner was determined during this process: In the silence suspended between the two swordsmen, the blades of their spirits parried and stabbed as soundless claps of thunder. Before a single blow was struck, victory, defeat, life, and death had already been decided.”
Liu Cixin, Remembrance of Earth's Past: The Three-Body Trilogy

Cormac McCarthy
“Now driving in a wild frieze of headlong horses with eyes walled and teeth cropped and naked riders with clusters of arrows clenched in their jaws and their shields winking in the dust and up the far side of the ruined ranks in a piping of boneflutes and dropping down off the sides of their mounts with one heel hung in the withers strap and their short bows flexing beneath the outstretched necks of the ponies until they had circled the company and cut their ranks in two and then rising up again like funhouse figures, some with nightmare faces painted on their breasts, riding down the unhorsed Saxons and spearing and clubbing them and leaping from their mounts with knives and running about on the ground with a peculiar bandylegged trot like creatures driven to alien forms of locomotion and stripping the clothes from the dead and seizing them up by the hair and passing their blades about the skulls of the living and the dead alike and snatching aloft the bloody wigs and hacking and chopping at the naked bodies, ripping off limbs, heads, gutting the strange white torsos and holding up great handfuls of viscera, genitals, some of the savages so slathered up with gore they might have rolled in it like dogs and some who fell upon the dying and sodomized them with loud cries to their fellows.”
Cormac McCarthy, Blood Meridian: Or the Evening Redness in the West

year in books
Jacob B...
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