Billy Stoneking
http://www.wheresthedrama.com
“There are far too many screenwriters who have made themselves honorary “secret” members of the Audience Protection Society (APS). Of course, they’re easy to spot, which makes their membership in this group anything but secret. They write as if they are duty bound to protect their readers from the nastiness of ruthless drama. The way they see it, if they’re going to go to the trouble of creating loveable and attractive characters why throw them to blood-thirsty apes, or have them face a fate worse than death? They tell themselves that such actions would offend their audience’s sensibilities, but really it’s their own fears and prejudices they can’t cope with, not to mention those nagging insecurities concerning their ability to write credible characters in the grip of extreme emotion. They’d rather be dead than write cheese.”
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“Too many film schools, as well as any number of screenwriting gurus and an obscene number of how-to-write tomes, have made a business of catering to fledgling screenwriters and filmmakers by exploiting their belief that the only thing standing between them and an Oscar is the right kind of knowledge. If only one knew enough, one could easily become rich and famous. Unfortunately, almost all are susceptible to that eternal malady – “that last great infirmity of the soul” – which is FAME. And whilst I don’t deny the value of technical knowledge, such knowledge matters very little if the story one is trying to tell doesn’t matter, either because it’s incoherent or simply because it fails to make us care.”
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“As a writer, you can’t get to where you want to be, coming from the place you started, unless you have something extremely important you want to say to someone who really doesn’t want to know.”
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“Fear is elemental to every human endeavour involving risk and change, which includes ALL creative endeavours. To be creative is to be anxious. To endure the anxiousness - to face it and work with it, to allow it to lay bare what has been hidden - is the beginning of faith, which, in a certain sense, is the courage to become, to become present, along with all the other characters, tribes and audiences whose actions move the unfolding drama that is the world.”
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“Nothing that happens is meant to happen or not meant to happen. The ‘meant’ is the story we tell ourselves that allows us to make sense of what is fundamentally senseless. Does this make our lives less important? Only if that’s the story you want to tell yourself. Where do the stories end? They don’t. It’s stories all the way down. And all the way up.”
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Liberation Lit
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This is a group supporting the idea that there is a paucity of current fiction being written about the era from 1960 to 1980. The tumultuous period ...more
Making Connections
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Billy’s 2025 Year in Books
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