Stoneking Quotes

“No one ever developed their character by arranging their experiences in such a way that only ‘good’ things are allowed to happen to them. Character is not purchased with a dance in the street. It is not cheap, and it’s hard to come by, owing partly to the fact that it is the heir of disappointment, frustration, betrayal and deceit. However, it is not the inheritance that matters so much as what you do with it. In the face of seemingly insurmountable problems what do you do, and why do you do it? The same holds for dramatic characters whose strength, courage, insight and wisdom have to be earned.”
― Billy Marshall Stoneking

“Being an American in Australia isn't easy,
but I'm trying to integrate, I'm trying to fit in.”
― Billy Marshall Stoneking

“POUND
We spend twelve hundred generations developing
so-called civilization to the point where it
produces an expert who can offer us salvation
from our superstitions, and all we end up with
is another superstition! If it takes someone
like Freud to save us from our neuroses, what’s
it gonna take to save us from Freud?”
― Billy Marshall Stoneking, Sixteen Words For Water

“What monster sleeps in the deep of your story? You need a monster. Without a monster there is no story.”
― Billy Marshall Stoneking

“Originality has nothing to do with producing something ’ new’ - it is about seeking the source, the primordial ground from which you draw and have always drawn your being. It comes about when one works from one’s origins, it is the dance of the eternal return… and is as ancient as the Dreamtime.”
― Billy Marshall Stoneking

“THE THINGS POETS & WRITERS DO THAT I LOVE

Listen to the Ancestors
Acknowledge their influences
Trust their gut-feelings and act on them
Maintain openness.
Play
Dance with languages
Be bold
Refuse servility
Avoid arrogance
Embrace the unknown
Love the journey
Respect one’s fellow journeyers”
― Billy Marshall Stoneking

“Your audience is your adversary. If you don't have one get one - imagine it. Imagine it now. To whom is your story addressed and why? Audience is always a creative act of the imagination. You can't tell your story effectively and leave it out. It must be alive in you, vividly alive. It is in conflict with everything that is false in what you have written. If it is an audience worthy of your talent and potential, it won't let you slide by the lies, the laziness, the shortcuts. If you don't take audience seriously, you can be sure it will return the favor.”
― Billy Marshall Stoneking

“If you would know this country, you must know its stories.”
― Billy Marshall Stoneking

“The burning off and the gathering together are one.”
― Billy Marshall-Stoneking, Singing the snake: Poems from the western desert, 1979-1988

“The ending of a story tells us what it means.”
― Billy Marshall Stoneking

“Some writers might tell you that writing is like a piece of magic - a process of creating something out of nothing, and I guess I used to think about it that way too a long long time ago. But as I've lived my life and loved and lost friends and family, and seen dreams smashed and resurrected, and marveled at the pettiness, drear ambition and ignorance of the herd of which I am a part, I can no longer say that a poem or a story or a script comes from nothing. If it's any good, if it has any power, any potent emotional body, then it's something that a writer has paid for, not only in time, but in all the anxiety that accompanies living and those small fret-filled acts of becoming present that make it possible for us to see beyond our little patch of immediacy. It's not just a reaching out, but a reaching in, into the depths of our being from whence we've sprung.”
― Billy Marshall Stoneking

“We speak for those who cannot speak. We have a duty to tell the stories for those who do not have the advantages that we have to tell stories. We must not speak falsely. The stories that we are entrusted to tell are stories of our tribes, or the tribes into which we have been initiated.”
― Billy Marshall Stoneking

“Poetry is the struggle against the simplification, codification, and mummification of language, it serves as a constant redirect - moving us to the experience to which the words point.”
― Billy Marshall Stoneking

“As a writer, you can’t get to where you want to be, coming from the place you started, unless you have something extremely important you want to say to someone who really doesn’t want to know.”
― Billy Marshall Stoneking

“Nothing that happens is meant to happen or not meant to happen. The ‘meant’ is the story we tell ourselves that allows us to make sense of what is fundamentally senseless. Does this make our lives less important? Only if that’s the story you want to tell yourself. Where do the stories end? They don’t. It’s stories all the way down. And all the way up.”
― Billy Marshall Stoneking

“There are far too many screenwriters who have made themselves honorary “secret” members of the Audience Protection Society (APS). Of course, they’re easy to spot, which makes their membership in this group anything but secret. They write as if they are duty bound to protect their readers from the nastiness of ruthless drama. The way they see it, if they’re going to go to the trouble of creating loveable and attractive characters why throw them to blood-thirsty apes, or have them face a fate worse than death? They tell themselves that such actions would offend their audience’s sensibilities, but really it’s their own fears and prejudices they can’t cope with, not to mention those nagging insecurities concerning their ability to write credible characters in the grip of extreme emotion. They’d rather be dead than write cheese.”
― Billy Marshall Stoneking

“The story writes you as much as you write it. And the process of re-writing isn't so much a quest to re-write the story as it is to re-write the writer.”
― Billy Marshall Stoneking

“Fear is elemental to every human endeavour involving risk and change, which includes ALL creative endeavours. To be creative is to be anxious. To endure the anxiousness - to face it and work with it, to allow it to lay bare what has been hidden - is the beginning of faith, which, in a certain sense, is the courage to become, to become present, along with all the other characters, tribes and audiences whose actions move the unfolding drama that is the world.”
― Billy Marshall Stoneking