Tess Everson

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Wild Dark Shore
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Piranesi
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Lily King
“All problems with writing and performing come from fear. Fear of exposure, fear of weakness, fear of lack of talent, fear of looking like a fool for trying, for even thinking you could write in the first place. It's all fear. If we didn't have fear, imagine the creativity in the world. Fear holds us back every step of the way. A lot of studies say that despite all our fears in this country - death, war, guns, illness - our biggest fear is public speaking. What I am doing right now. And when people are asked to identify which kind of public speaking they are most afraid of, they check the improvisation box. So improvisation is the number-one fear in America. Forget a nuclear winter or an eight-point nine earthquake or another Hitler. It's improv. Which is funny, because aren't we just improvising all day long? Isn't our whole life just one long improvisation? What are we so scared of?”
Lily King, Writers & Lovers

Sally Rooney
“Sometimes you need people to be perfect and they can’t be and you hate them forever for not being even though it isn’t their fault and it’s not yours either. You just needed something they didn’t have in them to give you.”
Sally Rooney, Intermezzo

Donna Tartt
“Does such a thing as 'the fatal flaw,' that showy dark crack running down the middle of a life, exist outside literature? I used to think it didn't. Now I think it does. And I think that mine is this: a morbid longing for the picturesque at all costs.”
Donna Tartt, The Secret History

Sally Rooney
“what if life is just a collection of essentially unrelated experiences? Why does one thing have to follow meaningfully from another?”
Sally Rooney, Intermezzo

Donna Tartt
“But how,” said Charles, who was close to tears, “how can you possibly justify cold-blooded murder?’
Henry lit a cigarette. “I prefer to think of it,” he had said, “as redistribution of matter.”
Donna Tartt, The Secret History

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