“Deconstruction seeks neither to reframe art with some perfect, apt and truthful new frame, nor simply to maintain the illusion of some pure and simple absence of a frame. Rather it shows that the frame is, in a sense, also inside the painting. For the frame is what "produces" the object of art, is what sets it off
as
an object of art—an aesthetic object. Thus the frame is essential to the work of art; in the work of art. Paint a $5,000 abstract painting on a railroad boxcar and nobody will pay a cent for it. Take a torch, remove the panel of the boxcar, install it in a gallery, and it will be worth $5,000. It will be art because it is now framed by the gallery. But at the same moment that the frame encloses the work in its own protected enclosure, making it a work of art, it becomes merely ornamental—external to the work of art. Thus is the frame central or marginal? Is the frame inside the work of art, essential to it, or outside the work of art, extrinsic to it?”
― Derrida for Beginners
― Derrida for Beginners
“La Belleza, Fedro mío, y solo ella es a la vez visible y digna de ser amada: es, tenlo muy presente, la única forma de lo espiritual que podemos aprehender y tolerar con los sentidos.”
― La muerte en Venecia / Mario y el mago
― La muerte en Venecia / Mario y el mago
“Good and bad lies within and without one other loses its mean and essence.”
― HUMANITY Understanding Reality and Inquiring Good
― HUMANITY Understanding Reality and Inquiring Good
“He wishes he had never entered the funhouse. But he has. Then he wishes he were dead. But he's not. Therefore he will construct funhouses for others and be their secret operator -- though he would rather be among the lovers for whom funhouses are designed.”
― Lost in the Funhouse
― Lost in the Funhouse
Darren Chan’s 2024 Year in Books
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