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“So they were pen pals now, Emma composing long, intense letters crammed with jokes and underlining, forced banter and barely concealed longing; two-thousand-word acts of love on air-mail paper. Letters, like compilation tapes, were really vehicles for unexpressed emotions and she was clearly putting far too much time and energy into them. In return, Dexter sent her postcards with insufficient postage: ‘Amsterdam is MAD’, ‘Barcelona INSANE’, ‘Dublin ROCKS. Sick as DOG this morning.’ As a travel writer, he was no Bruce Chatwin, but still she would slip the postcards in the pocket of a heavy coat on long soulful walks on Ilkley Moor, searching for some hidden meaning in ‘VENICE COMPLETELY FLOODED!!!!”
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“Also I wanted to be able to love
And we all know how that one goes, don't we?
Slowly”
― New and Selected Poems, Volume One
And we all know how that one goes, don't we?
Slowly”
― New and Selected Poems, Volume One
“W. H. Auden once suggested that to understand your own country you need to have lived in at least two others. One can say something similar for periods of time: to understand your own century you need to have come to terms with at least two others. The key to learning something about the past might be a ruin or an archive but the means whereby we may understand it is--and always will be--ourselves.”
― The Time Traveller's Guide to Medieval England: A Handbook for Visitors to the Fourteenth Century
― The Time Traveller's Guide to Medieval England: A Handbook for Visitors to the Fourteenth Century
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