Sean Dimond
https://www.untamed.be
‘It is terrible how people suffer,’ she thought.
“why were the State Department and President Roosevelt so hesitant to express in frank terms how they really felt about Hitler at a time when such expressions clearly could have had a powerful effect on his prestige in the world?”
― In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin
― In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin
“Poetry is perhaps this: an Atemwende, a turning of our breath. Who knows, perhaps poetry goes its way—the way of art—for the sake of just such a turn? And since the strange, the abyss and Medusa’s head, the abyss and the automaton, all seem to lie in the same direction—is it perhaps this turn, this Atemwende, which can sort out the strange from the strange? It is perhaps here, in this one brief moment, that Medusa’s head shrivels and the automaton runs down? Perhaps, along with the I, estranged and freed here, in this manner, some other thing is also set free?”
―
―
“With wine and being lost, with
less and less of both:
I rode through the snow, do you read me
I rode God far--I rode God
near, he sang,
it was
our last ride over
the hurdled humans.
They cowered when
they heard us
overhead, they
wrote, they
lied our neighing
into one of their
image-ridden languages.”
― Glottal Stop
less and less of both:
I rode through the snow, do you read me
I rode God far--I rode God
near, he sang,
it was
our last ride over
the hurdled humans.
They cowered when
they heard us
overhead, they
wrote, they
lied our neighing
into one of their
image-ridden languages.”
― Glottal Stop
“one may safely say that it would be no sin if statesmen learned enough of history to realize that no system which implies control of society by privilege seekers has ever ended in any other way than collapse.”
― In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin
― In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin
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