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“All it does is grind down the meaning of life a piece at a time. Do you see what I'm saying?'
'I think so.'
'Someday you'll find the right person Mari, and you'll learn to have a lot more confidence in yourself. That's what I think. So don't settle for anything less. In this world, there are things you can only do with somebody else. It's important to combine the two in just the right amount.”
― After Dark
'I think so.'
'Someday you'll find the right person Mari, and you'll learn to have a lot more confidence in yourself. That's what I think. So don't settle for anything less. In this world, there are things you can only do with somebody else. It's important to combine the two in just the right amount.”
― After Dark

“Things like that happen all the time in this great big world of ours. It's like taking a boat out on a beautiful lake on a beautiful day and thinking both the sky and the lake are beautiful. So stop eating yourself up alive. Things will go where they're supposed to go if you just let them take their natural course.”
― Norwegian Wood
― Norwegian Wood

“I don’t understand,’ said the boy. ‘I thought aesthetic decisions could be completely immoral. What about the cliché of the artist who leaves his wife and children so he can paint? Or Nero playing the harp while Rome burned?’
‘Both were moral decisions. Both served a higher good, in the mind of the artist. The conflict lies between the morals of the artist and the morals of society, not between aesthetics and morality. But often this isn’t understood; and here comes the waste, the tragedy. An artist, stealing paints from a store, for example, imagines himself to have made an inevitable but immoral decision, and then he sees himself as fallen from grace; what follows is despair and petty irresponsibility, as if morality were a great glass world which can be utterly shattered by one act. But this was not my great concern then. I did not know these things then. I believed I killed animals for aesthetic reasons only, and I hedged against the great moral question of whether or not by my very nature I was damned.”
― Interview with the Vampire
‘Both were moral decisions. Both served a higher good, in the mind of the artist. The conflict lies between the morals of the artist and the morals of society, not between aesthetics and morality. But often this isn’t understood; and here comes the waste, the tragedy. An artist, stealing paints from a store, for example, imagines himself to have made an inevitable but immoral decision, and then he sees himself as fallen from grace; what follows is despair and petty irresponsibility, as if morality were a great glass world which can be utterly shattered by one act. But this was not my great concern then. I did not know these things then. I believed I killed animals for aesthetic reasons only, and I hedged against the great moral question of whether or not by my very nature I was damned.”
― Interview with the Vampire

“This is one more piece of advice I have for you: don't get impatient. Even if things are so tangled up you can't do anything, don't get desperate or blow a fuse and start yanking on one particular thread before it's ready to come undone. You have to realize it's going to be a
long process and that you'll work on things slowly, one at a time.”
― Norwegian Wood
long process and that you'll work on things slowly, one at a time.”
― Norwegian Wood
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