Jackie

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The Home That Was...
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Dispatches
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Edith Sitwell
“I am not eccentric. It's just that I am more alive than most people. I am an unpopular electric eel set in a pond of catfish.”
Edith Sitwell

Mary Ann Shaffer
“She is one of those ladies who is more beautiful at sixty than she could possibly have been at twenty. (how I hope someone says that about me someday)!”
Mary Ann Shaffer

Mary Ann Shaffer
“Isola doesn't approve of small talk and believes in breaking the ice by stomping on it.”
Mary Ann Shaffer, The Guernsey Literary and Potato Peel Pie Society

Annie Barrows
“We clung to books and to our friends; they reminded us that we had another part to us.”
Annie Barrows, The Guernsey Literary and Potato Peel Pie Society

Anaïs Nin
“I like to live always at the beginnings of life, not at their end. We all lose some of our faith under the oppression of mad leaders, insane history, pathologic cruelties of daily life. I am by nature always beginning and believing and so I find your company more fruitful than that of, say, Edmund Wilson, who asserts his opinions, beliefs, and knowledge as the ultimate verity. Older people fall into rigid patterns. Curiosity, risk, exploration are forgotten by them. You have not yet discovered that you have a lot to give, and that the more you give the more riches you will find in yourself. It amazed me that you felt that each time you write a story you gave away one of your dreams and you felt the poorer for it. But then you have not thought that this dream is planted in others, others begin to live it too, it is shared, it is the beginning of friendship and love.

[…]

You must not fear, hold back, count or be a miser with your thoughts and feelings. It is also true that creation comes from an overflow, so you have to learn to intake, to imbibe, to nourish yourself and not be afraid of fullness. The fullness is like a tidal wave which then carries you, sweeps you into experience and into writing. Permit yourself to flow and overflow, allow for the rise in temperature, all the expansions and intensifications. Something is always born of excess: great art was born of great terrors, great loneliness, great inhibitions, instabilities, and it always balances them. If it seems to you that I move in a world of certitudes, you, par contre, must benefit from the great privilege of youth, which is that you move in a world of mysteries. But both must be ruled by faith.”
Anaïs Nin

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