Ezra

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Wuthering Heights
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Infinite Jest
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Moby-Dick: A Nort...
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Robert Musil
“…. by the time they have reached the middle of their life’s journey, few people remember how they have managed to arrive at themselves, at their amusements, their point of view, their wife, character, occupation and successes, but they cannot help feeling that not much is likely to change anymore. It might even be asserted that they have been cheated, for one can nowhere discover any sufficient reason for everything’s coming about as it has. It might just have well as turned out differently. The events of people’s lives have, after all, only to the last degree originated in them, having generally depended on all sorts of circumstances such as the moods, the life or death of quite different people, and have, as it were, only at the given point of time come hurrying towards them”
Robert Musil, The Man Without Qualities: Volume I

Henry David Thoreau
“And I am sure that I never read any memorable news in a newspaper. If we read of one man robbed, or murdered, or killed by accident, or one house burned, or one vessel wrecked, or one steamboat blown up, or one cow run over on the Western Railroad, or one mad dog killed, or one lot of grasshoppers in the winter, - we need never read of another. One is enough. If you are acquainted with the principle, what do you care for a myriad instances and applications?”
Henry David Thoreau, Walden: Or, Life in the Woods

Robert Musil
“Life forms a surface that acts as if it could not be otherwise, but under its skin things are pounding and pulsing.”
Robert Musil, The Man Without Qualities: Volume I

Why The Lucky Stiff
“when you don't create things, you become defined by your tastes rather than ability. your tastes only narrow & exclude people. so create.”
Why The Lucky Stiff

Ryan H. Walsh
“Lyman kept referencing films he was about to make and release, but the public never saw them. When it came to music—one of the group’s undeniable talents—they pursued concerts and recordings in an odd manner as well. When audiences showed up to hear the Lyman Family’s music, they could instead be subjected to a “dialogue with the audience until [Kweskin and Lyman] felt confident that the audience was really present, really open-hearted and ready for whatever was to happen,” as Kindman wrote in his memoir. “The music thus became a reward for the audience for making the musicians feel welcomed and understood spiritually.” Unsurprisingly, fights broke out at these shows.”
Ryan H. Walsh, Astral Weeks: A Secret History of 1968

year in books
Margare...
197 books | 23 friends

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John
510 books | 35 friends

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Jaideep
402 books | 77 friends

Michael
1,696 books | 79 friends

Shannon...
439 books | 40 friends

Wayne
911 books | 100 friends

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