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L'arte della gioia
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May 30, 2026 11:52AM

 
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Clarice Lispector
“The certainty that evil is my calling, thought Joana. What else was that feeling of contained force, ready to burst forth in violence, that longing to apply it with her eyes closed, all of it, with the rash confidence of a wild beast? Wasn’t it in evil alone that you could breathe fearlessly, accepting the air and your lungs? Not even pleasure would give me as much pleasure as evil, she thought surprised. She felt a perfect animal inside her, full of contradictions, of selfishness and vitality.”
Clarice Lispector, Near to the Wild Heart

Margaret Atwood
“Her metaphors for her children included barnacles encrusting a ship and limpets clinging to a rock.”
Margaret Atwood, The Edible Woman

Charlotte Brontë
I care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself.”
Charlotte Brontë, Jane Eyre

Clarice Lispector
“I don’t feel madness in my wish to bite stars, but the earth still exists. And because the first truth is in the earth and the body. If the twinkling of the stars pains me, if this distant communication is possible, it is because something almost like a star quivers within me. Here I am back at the body. Return to my body. When I surprise myself in the depths of the mirror I get a fright. I can hardly believe that I have limits, that I am cut out and defined. I feel scattered in the air, thinking inside other beings, living in things beyond myself.”
Clarice Lispector, Near to the Wild Heart

“You must never stop being whimsical.

And you must not, ever, give anyone else the responsibility for your life.

I don’t mean it’s easy or assured; there are the stubborn stumps of shame, grief that remains unsolvable after all the years, a bag of stones that goes with one wherever one goes and however the hour may call for dancing and for light feet. But there is, also, the summoning world, the admirable energies of the world, better than anger, better than bitterness and, because more interesting, more alleviating. And there is the thing that one does, the needle one plies, the work, and within that work a chance to take thoughts that are hot and formless and to place them solely and with meticulous effort into some shapely heat-retaining form, even as the gods, or nature, or the soundless wheels of time have made forms all across the soft, curved universe – that is to say, having chosen to claim my life, I have made for myself, out of work and love, a handsome life.”
Mary Oliver, Upstream: Selected Essays

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