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Via Negativa
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Aug 27, 2025 01:34AM

 
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Haruki Murakami
“How many Sundays – how many hundreds of Sundays like this – lay ahead of me? “Quiet, peaceful and lonely,” I said aloud to myself. On Sundays I didn't wind my spring.”
Haruki Murakami, Norwegian Wood

Haruki Murakami
“There's nothing the least bit sinful about it. Things like that happen all the time in this great big world of ours. It's like taking a boat out on a beautiful lake on a beautiful day and thinking both the sky and the lake are beautiful. So stop eating yourself up. Things will go where they're supposed to go if you just let them take their natural course. Despite your best efforts, people are going to be hurt when it's time for them to be hurt. Life is like that.”
Haruki Murakami, Norwegian Wood

Iain Reid
“Sorry. That was a very long answer to your question. So to answer, I would say that no, I'm not depressed."
"But sad?"
"Sure."
"Why is that—how is that different?"
"Depression is a serious illness. It's physically painful, debilitating. And you can't just decide to get over it in the same way you can't just decide to get over cancer. Sadness is a normal human condition, no different from happiness. You wouldn't think of happiness as an illness. Sadness and happiness need each other. To exist, each relies on the other, is what I mean."
"It seems like more people, if not depressed, are unhappy these days. Would you agree?"
"I'm not sure I'd say that. It does seem like there's more opportunity to reflect on sadness and feelings of inadequacy, and also a pressure to be happy all the time. Which is impossible."
"That's what I mean. We live in a sad time, which doesn't make sense to me. Why is that? Are there more sad people around now than there used to be?"
"There are many around the university, students and profs whose biggest concern each day—and I'm not exaggerating—is how to burn the proper number of calories for their specific body type based on diet and amount of strenuous exercise. Think about that in the context of human history. Talk about sad.
"There's something about modernity and what we value now. Our shift in morality. Is there a general lack of compassion? Of interest in others? In connections? It's all related. How are we supposed to achieve a feeling of significance and purpose without feeling a link to something bigger than our own lives? The more I think about it, the more it seems happiness and fulfillment rely on the presence of others, even just one other. The same way sadness requires happiness, and vice versa. Alone is..."
"I know what you mean," I say.
"There's an old example that gets used in first-year philosophy. It's about context. It goes like this: Todd has a small plant in his room with red leaves.
He decides he doesn't like the look of it and wants his plant to look like the other plants in his house. So he very carefully paints each leaf green. After the paint dries, you can't tell that the plant has been painted. It just looks green. Are you with me?"
"Yeah."
"The next day he gets a call from his friend. She's a plant biologist and asks if he has a green plant she can borrow to do some tests on. He says no. The next day, another friend, this time an artist, calls to ask if he has a green plant she can use as a model for a new painting. He says yes. He's asked the same question twice and gives opposite answers, and each time he's being honest."
"I see what you mean."
Another turn, this time at a four-way stop.
"It seems to me that in the context of life and existing and people and relationships and work, being sad is one correct answer. It's truthful. Both are right answers. The more we tell ourselves that we should always be happy, that happiness is an end in itself, the worse it gets. And by the way, this isn't a very original thought or anything. You know I'm not trying to be brilliant right now, right? We're just talking."
"We're communicating," I say. "We're thinking.”
Iain Reid, I'm Thinking of Ending Things

Haruki Murakami
“It was a sickness," she said. "The girl was sick. She was like the rotten apple that ruins all the other apples. And no one could cure her. She'll have that sickness until the day she dies. In that sense, she was a sad little creature. I would have pitied her, too, if I hadn't been one of her victims. I would have seen her as a victim.”
Haruki Murakami, Norwegian Wood

Haruki Murakami
“And what had he left behind? A nothing-much bookshop in a nothing-much neighbourhood and two daughters, at least one of whom was more than a little strange. What kind of life was that? I wondered. Lying in that hospital bed with his cut-open head and his muddled brain, what had been on his mind as he looked at me?”
Haruki Murakami, Norwegian Wood

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