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Project Hail Mary
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by Andy Weir (Goodreads Author)
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read in August 2022
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Mar 05, 2026 02:51PM

 
Elena Knows
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White Teeth
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Feb 22, 2026 08:54PM

 
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“The poet must not only write the poem but must scrutinize the world intensely, or anyway that part of the world he or she has taken for subject. If the poem is thin, it is likely so not because the poet does not know enough words, but because he or she has not stood long enough among the flowers--has not seen them in any fresh, exciting, and valid way.”
Mary Oliver, A Poetry Handbook

Tove Ditlevsen
“I always think there is a mystical understanding between the moon and the street, like between two sisters who have grown old together and no longer need any language to communicate with each other.”
Tove Ditlevsen, The Copenhagen Trilogy

“It is no use thinking that writing of poems – the actual writing – can accommodate itself to a social setting, even the most sympathetic social setting of a workshop composed of friends. It cannot. The work improves there and often the will to work gets valuable nourishment and ideas. But, for good reasons, the poem requires of the writer not society or instruction, but a patch of profound and unbroken solitude.”
Mary Oliver, A Poetry Handbook

“But literature, the best of it, does not aim to be literature. It wants and strives, beyond that artifact part of itself, to be a true part of the composite human record—that is, not words but a reality.”
Mary Oliver, Upstream: Selected Essays

“What can I say that I have not said before?
So I’ll say it again.
The leaf has a song in it.
Stone is the face of patience.
Inside the river there is an unfinishable story
and you are somewhere in it
and it will never end until all ends.

Take your busy heart to the art museum and the
chamber of commerce
but take it also to the forest.
The song you heard singing in the leaf when you
were a child
is singing still.
I am of years lived, so far, seventy-four,
and the leaf is singing still.

(from, “What Can I Say”)”
Mary Oliver

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