Anita

“Why," he panted into Danny's neck, "why's it so goddamn good?" He was surprised at how full his voice sounded, so close to overflowing its steady banks.
Danny stroked his hair, his lips warm against Miller's cheek. "Because it's us, Miller," he whispered. "Because it's us.”
― Brooke McKinley, Shades of Gray

“Standing near the wall, surrounded by what looked like a group of total fratty jockish dudes, was a man. A very fine man. He looked a few years younger than me, with brown hair that fell all over his head in an artfully messy way that looked like he might have just rolled out of bed, but you knew was done on purpose. He had thick, pretty lips that were made for sin, stretching into a delicious smile that showed even teeth. Dimples. Fuck me up, we have dimples! Deep, deep dimples that I wanted to put my tongue into. I blushed a fire red, but I didn’t stop my depraved up and down assessment.”
― T.J. Klune, Tell Me It's Real

“I had lunch with my brothers,” Mark said, his face serious. “While you were still asleep. They told me. About Corey and that stupid set-up you agreed to where you’d pretend not to be my wife . . .”
“I never agreed to pretend not to be your wife,” Dylan said.
Mark’s face grew serious then. “That’s what it amounted to in the end though, didn’t it? You pulled away from me in exchange for me getting . . . what?”
“Your career back,” Dylan said. “Your life.”
“Dylan, you’re my life. You.”
― Nia Forrester, The Seduction of Dylan Acosta

“I know you've all heard the advice, "Show, don't tell." The best writers don't tell you, and quite frankly they don't just show you -- they make you feel it, live it, taste it, touch it. Storytelling is about being in the moment with the characters.”
― Josh Lanyon