“Wes whips around, and there is Isaiah, makeup done, wearing a vibrant fuschia scarf around his head and laughing with a couple in matching Pilgrim costumes. He glances over, and August knows the second his eyes lock on Wes’s, because it’s the second Wes starts trying to climb under the table. “Absolutely not, bruh,” Myla says, throwing a kick. “Stand and face love.”
― One Last Stop
― One Last Stop
“What's the story behind the song?
Jane texts back a minute later. She addresses and signs it the ways she usually does. august is so used to it that her eyes have started skipping right over the introduction and sign off.
I don't remember much. I listened to it in an apartment I had when I was 20. I used to think it was one of the most romantic songs I ever heard.
Really? The lyrics are kind of depressing.
No, you gotta listen to the bridge. It's all about loving someone so much you can't stand the idea of losing them, even if it hurts, that all the hard stuff is worth it if you can get through together.
August pulls it up, lets it spin past the first two verses, into the line: You will remember, when this is blown over . . .
Okay, she types, thinking of Wes and how determined he is not to let Isaiah hand him his heart, of Myla holding Niko's hand as he talks to things she can't see, of her mom and a whole life spent searching, of herself, of Jane, of hours on the train - all the things they put themselves through for love. Okay, I get it.”
― One Last Stop
Jane texts back a minute later. She addresses and signs it the ways she usually does. august is so used to it that her eyes have started skipping right over the introduction and sign off.
I don't remember much. I listened to it in an apartment I had when I was 20. I used to think it was one of the most romantic songs I ever heard.
Really? The lyrics are kind of depressing.
No, you gotta listen to the bridge. It's all about loving someone so much you can't stand the idea of losing them, even if it hurts, that all the hard stuff is worth it if you can get through together.
August pulls it up, lets it spin past the first two verses, into the line: You will remember, when this is blown over . . .
Okay, she types, thinking of Wes and how determined he is not to let Isaiah hand him his heart, of Myla holding Niko's hand as he talks to things she can't see, of her mom and a whole life spent searching, of herself, of Jane, of hours on the train - all the things they put themselves through for love. Okay, I get it.”
― One Last Stop
“I can look at the space around where I sit in the world, what creates that shape, and I can care about what it's made of, if it's good, if it hurts anyone, it makes people happy, if it make me happy. And that can be enough for now.”
― One Last Stop
― One Last Stop
“Something else might come forward,” he says, lighting another match with total nonchalance as if he has not just suggested some unknown force from the great beyond could Beetlejuice into the room and rub its little demon hands all over them. “It happens. If you open a door, anything can come through it. But it’ll be fine.”
― One Last Stop
― One Last Stop
“Wes stares at Annie for a full five seconds, and says, “Oh Jesus Christ, I’m in love with you.” Annie blinks. “Can you say that without looking like you’re gonna throw up?” “I’m—uh—” He visibly gulps down whatever else he was going to say. “Actually, yeah, I am. Yeah. In love with you.” “Look, I am very happy for both of you,” August says, “but we are on a clock here—” “Right,” Annie says. She smiles. She’s a supernova. “Right,” Wes says. Neither of them is even pretending to look at August. “I’m gonna kiss you,” Annie says to Wes. “And then I’m gonna go serve some pancakes to some drunks, and you can tell me why later.” “Okay,” Wes says. They kiss. And August runs.”
― One Last Stop
― One Last Stop
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