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Why Art?
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Shopgirl
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by Steve Martin (Goodreads Author)
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by Vauhini Vara (Goodreads Author)
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Rupi Kaur
“i will tell you about selfish people. even when they know they will hurt you they walk into your life to taste you because you are the type of being they don’t want to miss out on. you are too much shine to not be felt. so when they have gotten a good look at everything you have to offer. when they have taken your skin your hair and your secrets with them. when they realize how real this is. how much of a storm you are and it hits them.

that is when the cowardice sets in. that is when the person you thought they were is replaced by the sad reality of what they are. that is when they lose every fighting bone in their body and leave after saying you will find better than me.

you will stand there naked with half of them still hidden somewhere inside you and sob. asking them why they did it. why they forced you to love them when they had no intention of loving you back and they’ll say something along the lines of i just had to try. i had to give it a chance. it was you after all.

but that isn’t romantic. it isn’t sweet. the idea that they were so engulfed by your existence they had to risk breaking it for the sake of knowing they weren’t the one missing out. your existence meant that little next to their curiosity of you.”
Rupi Kaur, Milk and honey

Audre Lorde
“The erotic has often been misnamed by men and used against women. It has been made into the confused, the trivial, the psychotic, the plasticized sensation. For this reason, we have often turned away from the exploration and consideration of the erotic as a source of power and information, confusing it with its opposite, the pornographic. But pornography is a direct denial of the power of the erotic, for it represents the suppression of true feeling. Pornography emphasizes sensation without feeling.

The erotic is a measure between the beginnings of our sense of self and the chaos of our strongest feelings. It is an internal sense of satisfaction to which, once we have experienced it, we know we can aspire.”
Audre Lorde, Uses of the Erotic: The Erotic as Power

Tillie Walden
“I'm not dating the 12% of you that I understand, I'm dating 100% of you. Including all your secrets that I don't know.”
Tillie Walden, On a Sunbeam

“Cut the ending. Revise the script. The man of her dreams is a girl.”
Julie Anne Peters, Keeping You a Secret

Rupi Kaur
“people go but how they left always stays”
Rupi Kaur, Milk and honey

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