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for the mind and spirit remains 140 Invincible, and vigour soon returns, Though all our glory extinct, and happy state Here swallowed up in endless misery. But what if he our Conqueror (whom I now Of force believe almighty, since no less
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“I had never seen a white man filled with such fear. The remarkable truth, however, was that it was not the pistol, but my language, the fact that I didn’t conform to his expectations, that I could read, that had so disturbed and frightened him.”
― James
― James
“Maxims & Other Quotes II
Exactly how we deal with our souls was at this moment the only question I thought worth asking. 181
Borges: What I most admire about Whitman is that he created Walt Whitman, an ideal projection not of himself but someone like him, a character every reader could find in his heart and admire. 184
Borges: Mythos, in Greek, is not a story that is false, it’s a story that is more than true. Myth is a tear in the fabric of reality, and immense energies pour through those holy fissures. Our stories, our poems, are rips in these holy fissures, as well, however slight. 193
Borges: Don’t question survival, mine or yours. More powers lie at your disposal than you realize. 194
Parini: I just don’t know enough.
Borges: Nor I. But we all proceed on insufficient knowledge. 195
Borges: I’ve found a name for myself. Borges the Reenactor! The problem is, one never wins old battles. The losses only mount. 250
Borges: Remember that the battle between good and evil persists, and the writer’s work is constantly to reframe the argument, so that readers make the right choices. Never work from vanity. … What does Eliot say? ‘Humility is endless’ … We fail, and we fail again. We pick ourselves up. I’ve done it a thousand times, Guiseppe. Borges only deepens. 251”
― Borges and Me: An Encounter
Exactly how we deal with our souls was at this moment the only question I thought worth asking. 181
Borges: What I most admire about Whitman is that he created Walt Whitman, an ideal projection not of himself but someone like him, a character every reader could find in his heart and admire. 184
Borges: Mythos, in Greek, is not a story that is false, it’s a story that is more than true. Myth is a tear in the fabric of reality, and immense energies pour through those holy fissures. Our stories, our poems, are rips in these holy fissures, as well, however slight. 193
Borges: Don’t question survival, mine or yours. More powers lie at your disposal than you realize. 194
Parini: I just don’t know enough.
Borges: Nor I. But we all proceed on insufficient knowledge. 195
Borges: I’ve found a name for myself. Borges the Reenactor! The problem is, one never wins old battles. The losses only mount. 250
Borges: Remember that the battle between good and evil persists, and the writer’s work is constantly to reframe the argument, so that readers make the right choices. Never work from vanity. … What does Eliot say? ‘Humility is endless’ … We fail, and we fail again. We pick ourselves up. I’ve done it a thousand times, Guiseppe. Borges only deepens. 251”
― Borges and Me: An Encounter
“Why do I know I exist if I also know I will not?”
―
―
“These days, it’s easy to feel that we’ve fallen out of connection with one another and with the earth and with reason and with love. I mean: we have. But to read, to write, is to say that we still believe in, at least, the possibility of connection.”
― A Swim in a Pond in the Rain
― A Swim in a Pond in the Rain
“If there are signs. If, in the next cell an impossible neighbor, because on the other side of the wall are just the cliffs and sea, starts to tap to give you an escape plan with crescents, gears, triangles and crosses. If life is a test of perspicacity, or, what might be one in the same of personality - draw a tree, draw a person. Put these drawings in the order they occurred. Interpret the multicolored butterflies spread over the page. They must appear from where you least expected. Heteroclite and elusive above all, making you doubt not them but yourself. Making you blush before your own paranoia. And making you try to forget it. To return to the pervasive conspiracy of normality.
But the tapping on the wall won’t let you sleep. And the privation of sleep leads to hallucinations and insanity. And in the end, inevitably, to the illusion that you hear tapping on the wall. And all this until the metronome stops. And you have yet to give an answer.”
―
But the tapping on the wall won’t let you sleep. And the privation of sleep leads to hallucinations and insanity. And in the end, inevitably, to the illusion that you hear tapping on the wall. And all this until the metronome stops. And you have yet to give an answer.”
―
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